Hans Haacke: Photo-Electric Viewer-Programmed Coordinate System, 1968. 14 infrared projectors, 14 photoelectronic cells, 28 white light bulbs. More informations: Dreher, Thomas: Der Beobachter als Akteur in Happenings und umweltsensitiven Installationen, chapter III.1. Internet: https://dreher.netzliteratur.net/4_Medienkunst_Text.html #hanshaacke #thomasdreher #artandtechnology #kineticart #cyberneticart #lightinstallation #lightart #lightartist #lightartists #installationart #installationartist #installationartists

Frank Gillette/Ira Schneider: Wipe Cycle, installation with 9 monitors and a live camera, Howard Wise Gallery, New York 1969. More informations: Dreher, Thomas: Der Beobachter als Akteur in Happenings und umweltsensitiven Installationen, chapter III.2 Closed-Circuits. Internet: https://dreher.netzliteratur.net/4_Medienkunst_Text.html #frankgillette #iraschneider #closedcircuit #videoclosedcircuits #videoinstallation #videoart #videoartists #thomasdreher #videosculpture #installationart #installationartists

Jochen Gerz: EXIT - das Dachau Projekt, 1974. Installation with various media. More informations: Dreher, Thomas: Kunst und Geschichte. In: Artefactum, Nr.32/February – March 1990, p.5-9. Internet: https://dreher.netzliteratur.net/9_KontextKunst_Kunst_und_Geschichte.pdf
#jochengerz #thomasdreher #installationart #installationartwork #installationartists #installationartist #dachauconcentrationcamp #conceptart #conceptartist

Allan Kaprow: Words, Installation, Smolin Gallery, New York 1962 (photos: Robert Mc Elroy/Licensed by VAGA, New York). More informations in: Dreher, Thomas: Allan Kaprow versus Robert Morris. Ansätze zu einer Kunstgeschichte als Mediengeschichte. Internet: https://dreher.netzliteratur.net/1_Kaprow_vs_Morris.html
#allankaprow #installationart #installationartist #installationartists #participationart #participationartist #participationartists #artandtext

Richter, Gerhard: Atlas der Fotos, Collagen und Skizzen. Städtische Galerie im Lenbachhaus, München 1989. More Informations: Dreher, Thomas: Atlas der Fotos, Collagen und Skizzen, In: das kunstwerk, December 1989 (Nr.4/XLII), p.105f. Internet: https://dreher.netzliteratur.net/1_Richter.pdf
#gerhardrichter #installationart #installationartist #installationartists #thomasdreher #Lenbachhaus #LenbachhausMünchen #richteratlas #gerhardrichteratlas

Pask, Gordon: Colloquy
of Mobiles, 1968 (installed at “Cybernetic Serendipity”, Institute of Contemporary Art, London 1968). More informations: Dreher, Thomas: Cybernetics and the Pioneers of Computer Art. Internet: https://dreher.netzliteratur.net/4_Medienkunst_Kybernetike.html #gordonpask #computerart #computerartist #computerartists #cybernetics #cyberneticart #cyberneticartists #cybernetartworks #installationart #installationartists #installationartist #responsiveenvironments #responsiveenvironment #thomasdreher

Pask, Gordon: Musicolour, Boltons Theatre Club, South Kensington 1954.
Left: Stage with a projection screen for Musicolour.
Right: Moon-Music, playbill.
More informations: Dreher, Thomas: Cybernetics and the Pioneers of Computer Art. Internet: https://dreher.netzliteratur.net/4_Medienkunst_Kybernetike.html #gordonpask #computerart #computerartist #computerartists #cybernetics #cyberneticart #cyberneticartists #cybernetartworks #installationart #installationartists #installationartist #thomasdreher

Robert Morris: Untitled, 1968-1969, installation. 200 pieces, felt, copper, rubber, zinc, nickel, aluminum, corten and stainless steel.
More informations in: Dreher, Thomas:
Allan Kaprow versus Robert Morris:
Ansätze zu einer Kunstgeschichte als Mediengeschichte. Internet: https://dreher.netzliteratur.net/1_Kaprow_vs_Morris.html
#installationart #installationartist #installationartists #mimimalart #minimalartist #minimalartists #antiform #robertmorris #environmentart #environmentartist #environmentartists