Robert Smithson: Double Non-Site, California and Nevada, 1968. Map, five painted steel boxes, lava from the Marl Mountains, California, and obsidian from the cinder cone near Truman Springs, Nevada. In: Dreher, Thomas: Epistrata. In: Künstler. Kritisches Lexikon der Gegenwartskunst. Issue 28, Munich 1994, p.6. PDF with new illustrations: URL: https://dreher.netzliteratur.net/6_LandArt_Smithson3.pdf
#landart #landartist #Robertsmithson #minimalart #minimalartist #earthworks #nonsite

Robert Morris: Continuous Project Altered Daily, 1969. Installation Leo Castelli Gallery, New York. Documentation as leporello, Multiples, Inc., New York 1970. In: Dreher, Thomas: Anamorphosen. Todesreflexe in Zerrspiegeln. In: Künstler. Kritisches Lexikon der Gegenwartskunst. Issue19, Munich 1994, p.6. As PDF with new illustrations: URL: https://dreher.netzliteratur.net/6_LandArt_Morris2.pdf
#RobertMorris #antiform #earthart #earthartist #minimalart #minimalartist #landart #landartist #installationart #LeoCastelli

Sol LeWitt: Red Square White Letters, 1962. Oil on canvas. Museum Ludwig, Cologne. More informations in: Dreher, Thomas: Konzeptuelle Kunst in Amerika und England 1963-76, chapter Selbst- und Fremdbezug. Internet: https://dreher.netzliteratur.net/3_Konzeptkunst_Text.html #sollewitt #thomasdreher #conceptart #conceptualart #conceptualartist #conceptualartists #conceptartwork #conceptartworks #minimalart #minimalartist #minimalartists #minimalartwork #minimalartworks #artsixties #artofthesixties #paintingsixties #artandlanguage

Sol LeWitt: Serial Project No.1 (ABCD), 1966. Various realizations in different sizes and materials. More informations: Dreher, Thomas: Konzeptuelle Kunst in Amerika und England zwischen 1963 und 1976. Frankfurt am Main 1992, p.263-274, ill.15. PDF: http://dreher.netzliteratur.net/3_Konzeptkunst_Diss.pdf #sollewitt #thomasdreher #sollewittsculpture #sollewittsculptures #conceptualart #conceptualartist #conceptualartists #conceptart #conceptartists #conceptualartworks #minimalart #minimalartist #minimalartists

Sol LeWitt: Object, 1969/70. Steel, sprayed white. Ulmer Museum, Ulm. More Informations: Dreher, Thomas: Konzeptuelle Kunst in Amerika und England zwischen 1963 und 1976. Frankfurt am Main 1992, p.257f. PDF: https://dreher.netzliteratur.net/3_Konzeptkunst_Diss.pdf #sollewitt #thomasdreher #conceptualart #conceptualartwork #conceptualartist #conceptualartists #serialart #serialartwork #minimalart #minimalartists #minimalartist #ulmermuseum #sammlungkurtfried

LeWitt: Left: Horizontal Serial Piece (Open Geometric Structre) # III, 1990. Painted wood. Right (and the two following illustrations): Complex Form #8, 1988. Painted wood. Exhibited at Museum Villa Stuck, Munich 1993. More informations: Dreher, Thomas: Sol LeWitt: Structures 1962-1993. In: Kritik. Contemporary Art Munich. Nr.3/1993, p.26-32. Internet: https://dreher.netzliteratur.net/3_Konzeptkunst_SolLeWitt2.html #sollewitt #minimalart #minimalartist #conceptart #conceptualart #postmodernsculpture #villastuck #thomasdreher

Robert Morris: Untitled, 1968-1969, installation. 200 pieces, felt, copper, rubber, zinc, nickel, aluminum, corten and stainless steel.
More informations in: Dreher, Thomas:
Allan Kaprow versus Robert Morris:
Ansätze zu einer Kunstgeschichte als Mediengeschichte. Internet: https://dreher.netzliteratur.net/1_Kaprow_vs_Morris.html
#installationart #installationartist #installationartists #mimimalart #minimalartist #minimalartists #antiform #robertmorris #environmentart #environmentartist #environmentartists

Julio Le Parc – Cercle en contorsion sur trame (1966) – KMSKA Antwerpen
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#opart #opticalart #optical #kineticart #cineticart #kinetic #cinetic #minimalart #minimalartist #art #julioleparc #leparc #kmska #typojo #studiotype