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#nmwcc

8 posts5 participants1 post today

#writersCoffeeClub 4. What are some tips and tricks for conveying strong emotions?

I am probably not the best person to ask this. I use ‼ occasionally. ⁈ when it a question said with emphases and ¡When I want it clear from the start statement is emphatic!

I also don’t follow the "said" rule. ProWriterAid always fails me on that one and by large margins. I use yelled, screamed, exclaimed, etc. (Not repetitively but liberally)

and, of course, I look for emphatic language.

I make the sentence a one-line paragraph to emphasize it.

Ume is an excitable woman.

#WritersCoffeeClub April 3. How do you navigate scenes with many characters?

Make sure I state how they are positioned. I seldom care; it is what they say that matters to me. But I have found readers do care. They don't like blue screen dialog.

Next, I never forget all the characters in the room and give them something to do or say. And if that isn't possible or would be strange, I point out why any aren't.

...Tome said XXXX, thank goodness it was the only thing said.

...Shishi was behind me and I couldn't see what she did.

If someone is dominating the scene, I think with each action or statement, "Could someone else do this, someone we haven't seen in a bit?"

Other than that, I wing it. I've worked myself up to 4 characters and will soon add two more, which will add exponentially to the difficulty. If it is too much for me, I will gracefully exit them from the room.

Continued thread

#WritersCoffeeClub 1. April Fool’s Day! Part 2

There are many more in the rough draft than in the final draft. I enjoy creating them and then delete them when I realize they are to show off my cleverness or for my enjoyment and they detract from the story. So, for example, with the rat with a long tail reference, the rough draft includes one character saying, “I’m late, I’m late, for a very important date.” In the current draft, this is just “We’re late.” Vaguely connecting to the ref but not detracting from the plot. #NMWCC

#WritersCoffeeClub 1. April Fool’s Day! Do you include in-jokes, hidden messages, or “easter eggs” in your writing?

I include references, sometimes obscure. They could be considered hidden messages. I also include Japanese language puns, which are lost on my English readers and are probably stupidly simple for Japanese language readers. I know there is a puzzle and hidden message in vol. 1 of my WIP, but even I can’t code it any more.

The references are at the level of mentioning the “Red Room.” David Lynch fans would recognize that. Or a tidbit that harks back to the Alice in Wonderland books or Wizard of Oz movie. For instance, in one scene, gecko shapeshifters start running in circles follow a rat with a long tail. At another point, Ume sings a parody of “We Off to See the Wizard.”

#WritersCoffeeClub March 31. Happy International Transgender Day of Visibility! What trans author has inspired you the most?

With unwarranted ego, myself. A hard working, under appreciated trans author. Trans, #transmasc, #transfem, #lesbian #bisexual, #asexual, #otherkin, etc. characters.

New chapter each week.

Join Ume & her family as their relationships develop. In a creepy world where “love” never dies.

pixiv.net/novel/series/11417104
archiveofourown.org/works/5277

#WritersCoffeeClub March 30. Do you label your works as LGBTQIA+? Why or why not?

I label my work “yuri” which by definition is about women’s relationships with each other, either romantic or romantic adjacent. I label it as such because that is my target audience.

Sometimes, depending on the material and platform, I use sapphic, sapphic romance, lesbian, or trans. Because if you don’t want to read that, then you shouldn’t, it just gets you bad reviews.

Continued thread

#WritersCoffeeClub March 29. How do you handle foreshadowing? How do you navigate building up to the ‘big reveal’? Part 3

Since much of the more subtle foreshadowing is done by brief comments, the character drops they are sometimes in error. That means when something else happens, I may close off the Maguffin with a character comment like, “Wow, I wasn’t expecting that, so much better than what I thought would happen.” Conversely, “That sucks. I wish...”

This is most likely when I have a problem I am still working out a solution for and the I suddenly find a better solution. Or I wish for the character to be incorrect. I like to establish my characters are not infalable narrators.

I would give an example, but it would be a spoiler.

Continued thread

#WritersCoffeeClub March 29. How do you handle foreshadowing? How do you navigate building up to the ‘big reveal’? Part 2

I have also used the blatant but cryptic announcements of some future event with just enough hints that once it happens, the reads say “oh-yes it was about that.” It might be a little heavy-handed (I am basically saying “Look, this is foreshadowing.”) but it works. But’s better then the device I sometimes see of “Statement about something,” then thrid wall break of “But, I will tell about that later,” of “That’s another story."

The big clue is best used with a long gap and the big reveal is a rabbit out of the hat. And shouldn't over used. It's so obvious that the reader is going to remember.

An example: Ume cryptically says that Tomo needs to talk to Ume’s Kami protector about something. The 2 volume later, wa-la Kami drops the bombshell on Tomo. #NMWCC

Continued thread

#WritersCoffeeClub 25. Describe your workflow if it had to be 100% analog. Part 3

Looks like I don't understand the question. I still don't but I can see how others are answering it.

Without computer technology, I would tell myself stories and they would go no further. I have a variety of cognitive challenges that affect how words and spelling co-exist with my brain. Computers make it possible for me to function as a writer instead of just a storyteller.

#WritersCoffeeClub 25. Describe your workflow if it had to be 100% analog.

As pseudocode (No bug reporting accepted.)

Main Program

1. Invent plot device
2. Design major characters
3. Chart major milestones
4. Invent title
5. Write chapter rough
6. Run edit routine:
7. Submit to Beta Reader 1
8. Run edit routine
9. Summit to Beta Reader 2
10. Run Edit routine
11. Let sit until day before publication
12. Run run edit routine
13. Publish on AO3 and PIXIV
14. Promote on Fedi and Bluesky
15. If Book not complete Return to 5
16. Else return to 1.

Edit routine
          I For Beta feedback
                    1. evaluate suggestion
                    2, if accepted edit
                    3, End For \\ Returns to evaluate if still sug.
          2. Run base edit routine
          3. Run extended edit routine
          return

Base edit routine:
         1.  For draft not clean Edit by reading out loud with Language Tools and ProWritingAid running.
          2. End For \\ returns to 1 if not clean

Extended edit routine
          1. Edit in ProWriterAid with Gammarly running.
          2. Edit load into Quillbot
          3. Edit Using text reader
          4. If edit count exceeds base tolerance return to subroutine line 3
          5 Else Exit

#WritersCoffeeClub 21. Happy World Poetry Day! Share your most poetic line.

I write hiaku, waka and Katauta. So I would never be able to pick. People seem to like it. This one that appears in my WIP that has been popular:

Sacred tea
Amid the rocky hills
Wander sits
Beside lonely fire
Distant Memories

It also appears in my second collection
"Waka to Katauta (和歌と片歌)"
At: archiveofourown.org/works/6333

Below is more waka & haiku as Haiga which can be found in one of my pixelfed accounts

pixelfed.tokyo/i/web/profile/5