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#VincentvanGogh

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"The Pink Peach Tree," Vincent van Gogh, 1888.

Y'all know Van Gogh by now.

Painted early in his stay in Arles, this painting of a peach orchard near his home has a hint of the glories of spring. Who doesn't love to see a fruit tree in bloom?

One can get a sense of the influence of Japanese prints here, but also just a sort of joyousness at the beauty of spring.

Happy Flower Friday!

From the Van Gogh Museum, Amsterdam.

"Small Pear Tree in Blossom," Vincent van Gogh, 1888.

Y'all know Van Gogh by now.

I recently mentioned his love of Japanese prints...here can you can the influence of them. The style of this blooming pear tree is very much taken from Japanese art.

The color choices are interesting...the tree's trunk, and the dabbled ground, have patches of blue; I wonder if this was meant to be frost....or perhaps just a trick to draw the eye? He would do a little patch of green by his eyes in his self-portraits to draw attention...he was sharp like that.

Happy Flower Friday!

From the Van Gogh Museum, Amsterdam.

"Portrait of Père Tanguy," Vincent van Gogh, 1887.

Y'all know van Gogh by now.

This is Julien Tanguy, a jovial fellow who was Paris' most popular dealer in art supplies, and a collector and dealer in art. He was often willing to accept art in lieu of payment, much to his wife's chagrin, but when he passed, his art collection was auctioned and left her rather well off.

Tanguy got van Gogh his first sale, and was willing to take a chance on a then-unknown artist. Tanguy also sold many Japanese prints, seen here, that were a huge influence on Impressionism and the Paris art scene in general. They also represent van Gogh's struggle for serenity; he saw in them a world where the stresses of his life and health were easily held at bay.

Happy Portrait Monday!

From the Musée Rodin, Paris.

Okres zaliczeń i obron pracy dyplomowych nie sprzyja regularnym wpisom, ale historii sztuki w komiksie nie mogłem sobie odmówić. Tym bardziej że to zestawienie można potraktować jako fantazję o leniuchowaniu po dobrze wykonanej robocie.

Vincent van Gogh, "Południe (za Milletem)" ("Middagrust (naar Millet)"), 1890.

"Le vent dans les sables", t. 1: "L'Invitation au Voyage", 2005, scen., rys. i tusz. Michael Plessix.