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Harald Klinke<p>Übrigens vom gleichen Autor:</p><p>Wie sieht »die Welt« eigentlich aus?<br>In Globalität sehen analysiert Sebastian W. Hoggenmüller, wie „Welt“ visuell konstruiert wird – durch Landkarten, Datenvisualisierungen, Newsfeeds, Satellitenbilder u. v. m.</p><p>Bilder formen nicht nur unsere Wahrnehmung, sondern auch geopolitische Ordnungen und globale Ungleichheiten.</p><p><a href="https://det.social/tags/openaccess" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>openaccess</span></a> <a href="https://www.campus.de/buecher-campus-verlag/wissenschaft/soziologie/globalitaet_sehen-15594.html" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">campus.de/buecher-campus-verla</span><span class="invisible">g/wissenschaft/soziologie/globalitaet_sehen-15594.html</span></a><br><a href="https://det.social/tags/Soziologie" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Soziologie</span></a> <a href="https://det.social/tags/VisualStudies" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>VisualStudies</span></a> <a href="https://det.social/tags/Medienkritik" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Medienkritik</span></a> <a href="https://det.social/tags/GlobalVisualPolitics" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>GlobalVisualPolitics</span></a> <a href="https://det.social/tags/Wissenssoziologie" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Wissenssoziologie</span></a></p>
Harald Klinke<p>Big Visual Data – eine neue Form des Wissens?</p><p>Sebastian W. Hoggenmüller führt im aktuellen Swiss Journal of Sociology in das Thema <a href="https://det.social/tags/BigVisualData" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>BigVisualData</span></a> ein – an der Schnittstelle von <a href="https://det.social/tags/BigData" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>BigData</span></a>, <a href="https://det.social/tags/Visualit%C3%A4t" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Visualität</span></a> und <a href="https://det.social/tags/Wissensproduktion" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Wissensproduktion</span></a>.</p><p>Wie verändern massenhaft zirkulierende Bilder unser Wissen?<br>Welche Rolle spielen KI, Algorithmen &amp; Plattformen?<br>Warum brauchen wir eine kritische visuelle Kompetenz?</p><p><a href="https://www.socio-journal.ch/article/view/7178" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">socio-journal.ch/article/view/</span><span class="invisible">7178</span></a><br><a href="https://det.social/tags/Soziologie" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Soziologie</span></a> <a href="https://det.social/tags/VisualStudies" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>VisualStudies</span></a> <a href="https://det.social/tags/DigitaleGesellschaft" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>DigitaleGesellschaft</span></a> <a href="https://det.social/tags/Epistemologie" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Epistemologie</span></a></p>
Harald Klinke<p><a class="mention" href="https://bsky.brid.gy/ap/did:plc:ap2koohszerkphl7goh5bd6o" rel="nofollow noopener" target="_blank">@anazapatag.bsky.social</a> <a class="mention" href="https://bsky.brid.gy/ap/did:plc:terkmfmgijq5bocznrdykxe4" rel="nofollow noopener" target="_blank">@ottoluna.bsky.social</a> <a class="mention" href="https://bsky.brid.gy/ap/did:plc:tjruiyqqommaiwnvc4rcoaed" rel="nofollow noopener" target="_blank">@kpalex91.bsky.social</a> Thanks for sharing! 🤳 <a class="hashtag" href="https://bsky.app/search?q=%23bildwissenschaft" rel="nofollow noopener" target="_blank">#bildwissenschaft</a> <a class="hashtag" href="https://bsky.app/search?q=%23visualstudies" rel="nofollow noopener" target="_blank">#visualstudies</a> <a class="hashtag" href="https://bsky.app/search?q=%23visualculture" rel="nofollow noopener" target="_blank">#visualculture</a></p>
amandineturrihoelken[ARCHIVES] - English Below <br> [Zone 54 - 4/12] : La ville est habitée d’une autre manière, dans toute sa latitude, ses interstices. Les terrains vagues deviennent des lieux - éphémères - de libertés, les rues des lieux de rencontres, de travail. 
<br> Zone 54 est un documentaire dialogique, photographique et sonore, réalisé de 2012 à 2017, en collaboration avec Emy, Le fils, Gaëtan, Ingrid et Mike.
Photographie : Emy, Le fils, <a href="https://pixelfed.social/discover/tags/amandineturrihoelken?src=hash" class="u-url hashtag" rel="nofollow noopener" target="_blank">#amandineturrihoelken</a> avec <a href="https://pixelfed.social/discover/tags/pentax67?src=hash" class="u-url hashtag" rel="nofollow noopener" target="_blank">#pentax67</a> <a href="https://pixelfed.social/discover/tags/kodakportra400?src=hash" class="u-url hashtag" rel="nofollow noopener" target="_blank">#kodakportra400</a> <br> <br> ~~~🇬🇧🇬🇧🇬🇧~~~<br> [Zone 54 - 4/12] The city is occupied in a different way, in all its latitude and interstices. Wastelands become ephemeral places of freedom, and streets become a space for meetings and work. <br> <br> Zone 54 is a dialogical photographic and sound documentary made between 2012 and 2017, in collaboration with Emy, Le fils, Gaëtan, Ingrid and Mike.<br> Photographs: Emy, le Fils et <a href="https://pixelfed.social/discover/tags/amandineturrihoelken?src=hash" class="u-url hashtag" rel="nofollow noopener" target="_blank">#amandineturrihoelken</a> <a href="https://pixelfed.social/discover/tags/pentax67?src=hash" class="u-url hashtag" rel="nofollow noopener" target="_blank">#pentax67</a> <a href="https://pixelfed.social/discover/tags/portra400?src=hash" class="u-url hashtag" rel="nofollow noopener" target="_blank">#portra400</a> <a href="https://pixelfed.social/discover/tags/appareilphotojetable?src=hash" class="u-url hashtag" rel="nofollow noopener" target="_blank">#appareilphotojetable</a> <a href="https://pixelfed.social/discover/tags/analogphotography?src=hash" class="u-url hashtag" rel="nofollow noopener" target="_blank">#analogphotography</a><br> <br> ---------<br> <a href="https://pixelfed.social/discover/tags/zone54?src=hash" class="u-url hashtag" rel="nofollow noopener" target="_blank">#zone54</a> <a href="https://pixelfed.social/discover/tags/urbansociolog?src=hash" class="u-url hashtag" rel="nofollow noopener" target="_blank">#urbansociolog</a> <a href="https://pixelfed.social/discover/tags/visualstudies?src=hash" class="u-url hashtag" rel="nofollow noopener" target="_blank">#visualstudies</a> <a href="https://pixelfed.social/discover/tags/visualanthropology?src=hash" class="u-url hashtag" rel="nofollow noopener" target="_blank">#visualanthropology</a> <a href="https://pixelfed.social/discover/tags/analogphotography?src=hash" class="u-url hashtag" rel="nofollow noopener" target="_blank">#analogphotography</a> <a href="https://pixelfed.social/discover/tags/photographiedocumentaire?src=hash" class="u-url hashtag" rel="nofollow noopener" target="_blank">#photographiedocumentaire</a> <a href="https://pixelfed.social/discover/tags/documentaryphotography?src=hash" class="u-url hashtag" rel="nofollow noopener" target="_blank">#documentaryphotography</a> <a href="https://pixelfed.social/discover/tags/photographiecontemporaine?src=hash" class="u-url hashtag" rel="nofollow noopener" target="_blank">#photographiecontemporaine</a> <a href="https://pixelfed.social/discover/tags/contemporaryphotography?src=hash" class="u-url hashtag" rel="nofollow noopener" target="_blank">#contemporaryphotography</a> <a href="https://pixelfed.social/discover/tags/socialdocumentaryphotography?src=hash" class="u-url hashtag" rel="nofollow noopener" target="_blank">#socialdocumentaryphotography</a> <a href="https://pixelfed.social/discover/tags/socialdocumentary?src=hash" class="u-url hashtag" rel="nofollow noopener" target="_blank">#socialdocumentary</a> <a href="https://pixelfed.social/discover/tags/photography?src=hash" class="u-url hashtag" rel="nofollow noopener" target="_blank">#photography</a>
Nolwenn Maudet<p>et j'aime beaucoup l'enquête "matériaulogique" d'Elise Haselvander sur notre chouette site culturesvisuelles.org<br><span class="h-card" translate="no"><a href="https://mastodon.design/@timotheegoguely" class="u-url mention" rel="nofollow noopener" target="_blank">@<span>timotheegoguely</span></a></span> </p><p><a href="https://www.culturesvisuelles.org/champs-de-recherche/ecologies-visuelles/ecologies-visuelles/enquete-materiaulogique" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">culturesvisuelles.org/champs-d</span><span class="invisible">e-recherche/ecologies-visuelles/ecologies-visuelles/enquete-materiaulogique</span></a></p><p><a href="https://mastodon.design/tags/visualstudies" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>visualstudies</span></a> <a href="https://mastodon.design/tags/visualculture" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>visualculture</span></a> <a href="https://mastodon.design/tags/ecologie" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>ecologie</span></a></p>
Petr Nuska<p><a href="https://mastodon.world/tags/AcademicJob" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>AcademicJob</span></a> </p><p>Assistant Professor in Visual Studies</p><p>@ Faculty of Architecture, Landscape, and Design at the University of <a href="https://mastodon.world/tags/Toronto" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Toronto</span></a> </p><p>Deadline: 13/01/2025</p><p><a href="https://academicpositions.fr/ad/university-of-toronto/2024/assistant-professor-visual-studies/226176" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">academicpositions.fr/ad/univer</span><span class="invisible">sity-of-toronto/2024/assistant-professor-visual-studies/226176</span></a></p><p>CC <span class="h-card" translate="no"><a href="https://a.gup.pe/u/academicjobs" class="u-url mention" rel="nofollow noopener" target="_blank">@<span>academicjobs</span></a></span> </p><p><a href="https://mastodon.world/tags/VisualStudies" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>VisualStudies</span></a> <a href="https://mastodon.world/tags/VisualCulture" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>VisualCulture</span></a></p>
Julian Wong-Nelson<p>ATTN: Early career curators! </p><p>2025 ASYMMETRY CURATORIAL FELLOWSHIP<br>SculptureCenter, New York</p><p>Application closes on:<br>1 December 2024</p><p><a href="https://www.asymmetryart.org/activities/2025-asymmetry-curatorial-fellowship-sculpturecenter-new-york" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">asymmetryart.org/activities/20</span><span class="invisible">25-asymmetry-curatorial-fellowship-sculpturecenter-new-york</span></a></p><p><a href="https://h-net.social/tags/CuratorialPractice" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>CuratorialPractice</span></a> <a href="https://h-net.social/tags/ArtHistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>ArtHistory</span></a> <a href="https://h-net.social/tags/fellowships" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>fellowships</span></a> <a href="https://h-net.social/tags/VisualStudies" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>VisualStudies</span></a> <a href="https://h-net.social/tags/VisualCulture" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>VisualCulture</span></a> <a href="https://h-net.social/tags/Curation" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Curation</span></a></p>
B. Ricardo Brown, PhD<p>Critical and Visual Studies BA on Youtube<br><a href="https://www.youtube.com/@CriticalVisualStudies-Pratt" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">youtube.com/@CriticalVisualStu</span><span class="invisible">dies-Pratt</span></a> <br>Now you can watch and listen to faculty and student work, talks, lectures, and events. The site is, of course, a work in progress and we will be adding more in the time to come! </p><p>Critical and Visual Studies BA<br>Department of Social Science &amp; Cultural Studies<br>School of Liberal Arts and Sciences<br>Pratt Institute<br><a href="https://sciences.social/tags/PrattInstitute" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>PrattInstitute</span></a> <a href="https://sciences.social/tags/CulturalStudies" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>CulturalStudies</span></a> <a href="https://sciences.social/tags/CriticalTheory" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>CriticalTheory</span></a> <a href="https://sciences.social/tags/VisualStudies" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>VisualStudies</span></a> <a href="https://sciences.social/tags/Sociology" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Sociology</span></a> <a href="https://sciences.social/tags/SocialScience" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>SocialScience</span></a> <br>-:- Enjoy and please share -:-</p>
Ideas on Fire<p>Congrats to Ideas on Fire author Eunsong Kim! Her new book The Politics of Collecting: Race and the Aestheticization of Property is out now from Duke University Press, and it offers a staunch critique of the racial and sexual politics of US museum and art collecting. <a href="https://www.dukeupress.edu/the-politics-of-collecting" rel="nofollow noopener" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">dukeupress.edu/the-politics-of</span><span class="invisible">-collecting</span></a> </p><p><a href="https://hcommons.social/tags/IoFAuthors" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>IoFAuthors</span></a> <a href="https://hcommons.social/tags/MuseumStudies" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>MuseumStudies</span></a> <a href="https://hcommons.social/tags/VisualStudies" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>VisualStudies</span></a></p>
Petr Nuska<p><a href="https://mastodon.world/tags/NewIssue" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>NewIssue</span></a> </p><p>Visual Studies, Volume 39, Issue 3 (2024)</p><p>... an <a href="https://mastodon.world/tags/OpenAccess" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>OpenAccess</span></a> volume full of interesting articles (i.a.) on <a href="https://mastodon.world/tags/VisualAnthropology" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>VisualAnthropology</span></a> !</p><p><a href="https://www.tandfonline.com/toc/rvst20/39/3?nav=tocList" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">tandfonline.com/toc/rvst20/39/</span><span class="invisible">3?nav=tocList</span></a></p><p><a href="https://mastodon.world/tags/Anthropology" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Anthropology</span></a> <a href="https://mastodon.world/tags/VisualStudies" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>VisualStudies</span></a> <a href="https://mastodon.world/tags/VisualCulture" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>VisualCulture</span></a> <a href="https://mastodon.world/tags/VisualEtnography" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>VisualEtnography</span></a> <a href="https://mastodon.world/tags/EthnographicFilm" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>EthnographicFilm</span></a></p>
Petr Nuska<p><a href="https://mastodon.world/tags/AcademicJob" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>AcademicJob</span></a> </p><p>Lecturer in Visual Anthropology </p><p>@ Université Paris Nanterre</p><p>"The future lecturer will teach in the Master's degree <a href="https://mastodon.world/tags/DocumentaryFilm" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>DocumentaryFilm</span></a> and <a href="https://mastodon.world/tags/VisualAnthropology" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>VisualAnthropology</span></a>" as well as in the Bachelor's degree <a href="https://mastodon.world/tags/PerformingArts" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>PerformingArts</span></a> in the form of<br>theoretical and practical courses in cinema, especially documentary film"</p><p>Deadline: 29/03/2024</p><p><a href="https://www.galaxie.enseignementsup-recherche.gouv.fr/ensup/ListesPostesPublies/ANTEE/2024_1/0921204J/FOPC_0921204J_4900.pdf" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">galaxie.enseignementsup-recher</span><span class="invisible">che.gouv.fr/ensup/ListesPostesPublies/ANTEE/2024_1/0921204J/FOPC_0921204J_4900.pdf</span></a></p><p>CC <span class="h-card" translate="no"><a href="https://a.gup.pe/u/academicjobs" class="u-url mention" rel="nofollow noopener" target="_blank">@<span>academicjobs</span></a></span> </p><p><a href="https://mastodon.world/tags/Anthropology" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Anthropology</span></a> <a href="https://mastodon.world/tags/VisualStudies" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>VisualStudies</span></a> <a href="https://mastodon.world/tags/VisualCulture" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>VisualCulture</span></a> <a href="https://mastodon.world/tags/EthnographicFilm" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>EthnographicFilm</span></a> <a href="https://mastodon.world/tags/EthnographicFilmmaking" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>EthnographicFilmmaking</span></a></p>
Harald Klinke<p>Call for Papers: 'Image Deluge &amp; Globalization' conference, Geneva, June 19-21, 2024. Explore the challenges of mass visual communication in the modern media landscape. Submit by March 20, 2024. <br>Keynotes: Prof. Buchholz, Prof. Alloa, Hon. Prof. Appadurai. <br><a href="https://det.social/tags/VisualStudies" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>VisualStudies</span></a> <a href="https://det.social/tags/Globalization" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Globalization</span></a> <a href="https://det.social/tags/ArtHistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>ArtHistory</span></a> <a href="https://det.social/tags/DigitalHumanities" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>DigitalHumanities</span></a><br><a href="https://www.unige.ch/visualcontagions/test/conferences-new/CFP-Images-Deluge-Globalization" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">unige.ch/visualcontagions/test</span><span class="invisible">/conferences-new/CFP-Images-Deluge-Globalization</span></a></p>
Petr Nuska<p><a href="https://mastodon.world/tags/NewIssue" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>NewIssue</span></a> </p><p>International Review of Sociology: Thinking images. Approaches and Researches in visual studies</p><p><a href="https://www.tandfonline.com/toc/cirs20/33/2" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">tandfonline.com/toc/cirs20/33/</span><span class="invisible">2</span></a></p><p><a href="https://mastodon.world/tags/VisualSociology" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>VisualSociology</span></a> <a href="https://mastodon.world/tags/VisualAnthropology" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>VisualAnthropology</span></a> <a href="https://mastodon.world/tags/VisualCulture" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>VisualCulture</span></a> <a href="https://mastodon.world/tags/VisualStudies" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>VisualStudies</span></a></p>
mk30<p>if you're wondering how anti-immigrant sentiments get spread, this is how: with fox news articles titled "String of retail thefts, burglaries by migrants plaguing Chicago suburb: authorities", next to mugshots of 5 brown men who look quite rough, overlaid on top of a "macy's" image.</p><p>and all i can think is how *even if* that's true, these "migrants" are getting dumped on the streets of chicago (in winter), via busses from texas (ordered by the texas governor since 2022), after having gone through the ordeal of crossing the border. they were dumped with very few things and no resources. this keeps happening every day.</p><p>it's important to remember that all these "problems" exist because gov. abbott of texas has an actual policy with actual $ spent to bus migrants to other states and dump them there.</p><p>there is an interstate war going on with desperate human beings (with extremely limited political rights or representation) as pawns.</p><p>and to rub in the war-like nature of all this, apparently during the recent <a href="https://tilde.zone/tags/chicago" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>chicago</span></a> cold, gov. abbott actually agreed to a gentlemanly agreement with illinoi gov. pritzker to pause sending migrants to chicago. the articles about it even call it a "temporary truce": "Illinois Gov. JB Pritzker and Texas Gov. Greg Abbott may have reached a temporary truce as temperatures dropped this week." (from <a href="https://www.axios.com/local/chicago/2024/01/16/texas-migrant-buses-pause" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">axios.com/local/chicago/2024/0</span><span class="invisible">1/16/texas-migrant-buses-pause</span></a> )</p><p>and from the same article: "Last week, Abbott released a statement boasting that he's sent more than 100,000 migrants to sanctuary cities, including 30,800 to Chicago."</p><p>this kind of anti-immigrant/anti-migrant news strategy is employed all around the world, and it's not limited to only our current times. i mean, one of the main ways that germany demonized jews before the holocaust was to run news stories about how they were thieves and robbers and all the usual stuff. it was to get germans to feel suspicious about these "others", and then to later not mind when bad things were done to them (because they were "bad people" who were a "threat" to germans).</p><p>so yea, the playbook is old and it's not subtle. if it looks like anti-immigrant sentiment is being stoked by right-wing media, that's because it is.</p><p><a href="https://tilde.zone/tags/migration" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>migration</span></a> <a href="https://tilde.zone/tags/immigration" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>immigration</span></a> <a href="https://tilde.zone/tags/immigrants" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>immigrants</span></a> <a href="https://tilde.zone/tags/migrants" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>migrants</span></a> <a href="https://tilde.zone/tags/borders" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>borders</span></a> <a href="https://tilde.zone/tags/propaganda" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>propaganda</span></a> <a href="https://tilde.zone/tags/VisualStudies" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>VisualStudies</span></a> <a href="https://tilde.zone/tags/VisualAnthropology" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>VisualAnthropology</span></a> <a href="https://tilde.zone/tags/CulturalStudies" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>CulturalStudies</span></a> <a href="https://tilde.zone/tags/CulturalAnthropology" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>CulturalAnthropology</span></a> <a href="https://tilde.zone/tags/MediaStudies" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>MediaStudies</span></a></p>
José Manuel Barros<p>"Portraying Unease: the Art and Politics of Uncomfortable Attachments" by Ellen Suneson (Doctoral thesis, <a href="https://hcommons.social/tags/LundUniversity" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>LundUniversity</span></a>, 2022, <a href="https://hcommons.social/tags/OpenAccess" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>OpenAccess</span></a>)</p><p>"Portraying Unease critically discusses a tendency amongst politicized scholars to endow artworks with traits of subversion and political productivity. Artworks that address structural discrimination, such as heterosexism, racism, or ableism, are often described as possessing qualities that can challenge unjust systems or initiate political change. This thesis considers hope and belief in the political utility of visual art in terms of an emotional attachment: an anticipatory emotional bond to a set of promises concerning art’s abilities".</p><p><a href="https://hcommons.social/tags/Art" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Art</span></a> <a href="https://hcommons.social/tags/Image" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Image</span></a> <a href="https://hcommons.social/tags/PhD" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>PhD</span></a> <a href="https://hcommons.social/tags/VisualStudies" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>VisualStudies</span></a> <a href="https://hcommons.social/tags/History" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>History</span></a> <a href="https://hcommons.social/tags/Politics" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Politics</span></a> <a href="https://hcommons.social/tags/Feminism" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Feminism</span></a> <a href="https://hcommons.social/tags/Queer" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Queer</span></a> <a href="https://hcommons.social/tags/Political" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Political</span></a> <a href="https://hcommons.social/tags/ArtHistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>ArtHistory</span></a></p><p><span class="h-card"><a href="https://a.gup.pe/u/academicchatter" class="u-url mention" rel="nofollow noopener" target="_blank">@<span>academicchatter</span></a></span> <br><span class="h-card"><a href="https://a.gup.pe/u/histodons" class="u-url mention" rel="nofollow noopener" target="_blank">@<span>histodons</span></a></span> <br><span class="h-card"><a href="https://a.gup.pe/u/anthropology" class="u-url mention" rel="nofollow noopener" target="_blank">@<span>anthropology</span></a></span><br><span class="h-card"><a href="https://a.gup.pe/u/politicaltheory" class="u-url mention" rel="nofollow noopener" target="_blank">@<span>politicaltheory</span></a></span> <br><span class="h-card"><a href="https://a.gup.pe/u/politicalscience" class="u-url mention" rel="nofollow noopener" target="_blank">@<span>politicalscience</span></a></span> </p><p><a href="https://portal.research.lu.se/en/publications/portraying-unease-the-art-and-politics-of-uncomfortable-attachmen" rel="nofollow noopener" target="_blank"><span class="invisible">https://</span><span class="ellipsis">portal.research.lu.se/en/publi</span><span class="invisible">cations/portraying-unease-the-art-and-politics-of-uncomfortable-attachmen</span></a></p>
Harald Klinke<p>Grundlage der Frage um <a href="https://det.social/tags/genAI" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>genAI</span></a>-Bilder ist der Diskurs um das digitale Bild. Jens Schröter hat diesen im Jahr 2017 gut zusammengefasst. </p><p>Digitale Bildlichkeit ist vielfältig und erfordert eine pragmatische Herangehensweise an Fragen der Existenz und Funktion digitaler Bilder.<br>Die Betonung von Artefakten, Referenz und Veränderungen in Archivierung bietet interessante Perspektiven für die kritische Auseinandersetzung mit KI-Bildern.<br><a href="http://www.gib.uni-tuebingen.de/own/journal/upload/db44d5ca384fa28fa42107fe67b360a3.pdf" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">http://www.</span><span class="ellipsis">gib.uni-tuebingen.de/own/journ</span><span class="invisible">al/upload/db44d5ca384fa28fa42107fe67b360a3.pdf</span></a><br><a href="https://det.social/tags/genai" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>genai</span></a> <a href="https://det.social/tags/digitalesbild" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>digitalesbild</span></a> <a href="https://det.social/tags/VisualStudies" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>VisualStudies</span></a></p>
Ana Marta M. Flores<p>➿ Keynotes and fees: check some updates on the conference Contested Visibilities! <a href="https://dccecrea.wordpress.com/2023/04/13/updatescv2023" rel="nofollow noopener" target="_blank"><span class="invisible">https://</span><span class="ellipsis">dccecrea.wordpress.com/2023/04</span><span class="invisible">/13/updatescv2023</span></a> <a href="https://mastodon.online/tags/Academic" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Academic</span></a> <a href="https://mastodon.online/tags/CFP" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>CFP</span></a> <a href="https://mastodon.online/tags/genderstudies" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>genderstudies</span></a> <a href="https://mastodon.online/tags/visualstudies" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>visualstudies</span></a> <a href="https://mastodon.online/tags/communication" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>communication</span></a> <a href="https://mastodon.online/tags/DigitalCulture" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>DigitalCulture</span></a> <a href="https://mastodon.online/tags/ECREA" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>ECREA</span></a></p>
Harald Klinke<p>Mental images and latent diffusion models: Reconstructing high-resolution images from human brain activity</p><p>This paper provides a unique way to understand how the brain represents the world and interpret the connection between computer vision models and our visual system. <a href="https://det.social/tags/neuroscience" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>neuroscience</span></a> <a href="https://det.social/tags/AI" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>AI</span></a> <a href="https://det.social/tags/visualstudies" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>visualstudies</span></a> <a href="https://det.social/tags/CVPR2023" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>CVPR2023</span></a></p><p>📖<a href="https://sites.google.com/view/stablediffusion-with-brain/" rel="nofollow noopener" target="_blank"><span class="invisible">https://</span><span class="ellipsis">sites.google.com/view/stabledi</span><span class="invisible">ffusion-with-brain/</span></a></p>
Petr Nuska<p><a href="https://mastodon.world/tags/CFP" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>CFP</span></a></p><p>Dastavezi | The Audio-Visual South Asia</p><p>"Dastavezi the Audio-Visual South Asia is an international peer-reviewed, open-access e-journal, which seeks to reposition the audio-visual as a central mode of knowing and thinking about South Asia."</p><p>Deadline: 15/03/2023</p><p><a href="https://networks.h-net.org/node/15531/discussions/12295159/dastavezi-audio-visual-south-asia-journal" rel="nofollow noopener" target="_blank"><span class="invisible">https://</span><span class="ellipsis">networks.h-net.org/node/15531/</span><span class="invisible">discussions/12295159/dastavezi-audio-visual-south-asia-journal</span></a></p><p><a href="https://mastodon.world/tags/VisualAnthropology" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>VisualAnthropology</span></a>, <a href="https://mastodon.world/tags/Anthropology" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Anthropology</span></a>, <a href="https://mastodon.world/tags/ArtHistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>ArtHistory</span></a>, <a href="https://mastodon.world/tags/VisualStudies" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>VisualStudies</span></a>, <a href="https://mastodon.world/tags/Film" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Film</span></a>, <a href="https://mastodon.world/tags/FilmHistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>FilmHistory</span></a>, <a href="https://mastodon.world/tags/SouthAsianStudies" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>SouthAsianStudies</span></a></p>
Tim Waterman<p>CFP: Neurophenomenology &amp; Sacred Architecture<br>Toward an Experimental Theological Aesthetics<br>March 23-25, 2023 — Hosted by the School of Architecture and Planning of the Catholic University of America, Washington, D.C. <a href="https://mas.to/tags/Architecture" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Architecture</span></a> and <a href="https://mas.to/tags/ArchitecturalHistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>ArchitecturalHistory</span></a>, <a href="https://mas.to/tags/Art" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Art</span></a>, <a href="https://mas.to/tags/ArtHistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>ArtHistory</span></a> &amp; <a href="https://mas.to/tags/VisualStudies" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>VisualStudies</span></a>, <a href="https://mas.to/tags/EnvironmentalHistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>EnvironmentalHistory</span></a> / Studies, <a href="https://mas.to/tags/Philosophy" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Philosophy</span></a>, <a href="https://mas.to/tags/Psychology" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Psychology</span></a> <a href="https://sacred-space.net/ASU-symposium/" rel="nofollow noopener" target="_blank"><span class="invisible">https://</span><span class="ellipsis">sacred-space.net/ASU-symposium</span><span class="invisible">/</span></a></p>