stomach contents XXL

Vending machine filled with plastic toys that have been ingested by Laysanalbatrosses in the Pacific Ocean. The objects were found in the bolus of dead albatrosses on Midway and Kure Atoll (Northwestern Hawaiian Islands).

Realized with the help of Kure Atoll Conservancy.

[Swaantje Güntzel, stomach contents XXL, 2014, plastics, metal, height: 145 cm]

Fotos: Alexander Burzik

#art #conceptualart #contemporaryart #installation #kunst #konzeptkunst #zeitgenössischekunst #marinedebris #kureatoll #kureatollconservancy #midwayatoll #pacificocean #pazifik #laysanalbatros #laysanalbatross #bolus #toya #spielzeuge #plastik #plastics #plasticpollution #plasticcrisis #warenautomat #vendingmachine #swaantjegüntzel #swaantjeguentzel #alexanderburzik #northwesternhawaiianislands

HAPPY WORLD OCEAN DAY!

[Swaantje Güntzel, Spring cleaning / Fårö (Sweden), Persona Beach, 2011, intervention]

Foto: Jan Philip Scheibe

Realized during an Artist Residency at Bergmangårdarna på Fårö (Sweden).

@arteluce23

#art #conceptualart #contemporaryart #worldoecanday #worldoceanday2025 #fårö #kunst #konzeptkunst #zeitgenössischekunst #performance #intervention #beach #personabeach #ingmarbergmann #bergmangårdarna #bergmangårdarnapåfårö #sweden #schweden #putzfrau #springcleaning #frühjahrsputz #artistresidency #artistinresidence #felsen #rocks #cleaninglady #swaantjeguentzel #swaantjegüntzel

Space Journey / Rosetta

Risograph based on the trajectory of the ESA probe “Rosetta”, which was send into space in 2004 to explore the comet 67P/Churyumov-Gerasimenko and crashed on the comet’s surface in 2016 after the mission was completed.

The work was realized during an Artist-in-Science Residency of the artist at the European Space Agency (ESA) hosted by Kultur einer Digitalstadt in Darmstadt in 2022.

The print was produced by Herr und Frau Rio in Munich and is a limited, signed and numbered edition.

Foto: Tobias Hübel

[Swaantje Güntzel, Space Journey / Rosetta, Risograph, 29.7 x 42 cm]


#art #conceptualart #contemporaryart #kunst #konzeptkunst #zeitgenössischekunst #space #weltraum #esa #esoc #darmstadt #spacedebris #rosetta #rosograph #risography #risography #artitsinscience #artistresidency #kultureinerdigitalstadt #herrundfraurio #spaceprobe #comet #komet #67Pchuryumovgerasimenko #esasonde #swaantjeguentzel #swaantjegüntzel #artprint #artedition

Space Journey / Tesla

Risograph, inspired by the movement pattern of the Tesla (white) launched into space by Elon Musk as a PR stunt in 2018, the blue line shows the orbit of the Earth, the yellow line that of Mars.

The work was realized during an Artist-in-Science Residency of the artist at the European Space Agency (ESA) hosted by Kultur einer Digitalstadt in Darmstadt in 2022.

The print was produced by Herr und Frau Rio in Munich and is a limited, signed and numbered edition.

[Swaantje Güntzel, Space Journey / Tesla, 2022, Risography, 29.7 x 42 cm]

Foto: Tobias Hübel

#art #conceptualart #contemporaryart #kunst #konzeptkunst #zeitgenössischekunst #womenartists #space #weltraum #esa #elonmusk #spaceobjects #spacedebris #orbitaldebris #tesla #fcktesla #risographie #artistinscience #artistinresidence #herrundfraurio #risography #artedition #mars #earth #planetearth #esoc #darmstadt #kultureinerdigitalstadt #swaantjegüntzel #swaantjeguentzel #artprint

Space Journey / Gaia

Risograph, inspired by the movement pattern of the space telescope ‘Gaia’ (ESA), which has been mapping our galaxy since it was launched in 2013. Among other things, the data collected has been used to create the most detailed map of the Milky Way to date. The telescope was decommissioned on 27 March 2025

The work was realized during an Artist-in-Science Residency of the artist at the European Space Agency (ESA) hosted by Kultur einer Digitalstadt in Darmstadt in 2022.

The print was produced by Herr und Frau Rio in Munich and is a limited, signed an numbered edition.

Foto: Tobias Hübel

[Swaantje Güntzel, Space Journey / Gaia, 2022, Risograph, 29.7 x 42 cm]

#art #conceptualart #contemporaryart #space #spacetelescope #esa #esoc #darmstadt #artistinscience #kunst #konzeptkunst #zeitgenössischekunst #weltraum #weltall #Weltraumteleskop #gaia #milchstrasse #milkyway #risographie #risography #herrundfraurio #galaxy #galaxie #swaantjeguentzel #swaantjegüntzel #raumfahrt #spacescience #kultureinerdigitalstadt

MICROPLASTICS II / Portrait

Portrait of the artist covered with microplastic particles that she had collected in the frame of an intervention ("Microplastics") realized in 2016. During three hours she sat at Playa de Montaña Bermeja/Lanzarote and cleared 1 squaremeter of microplastics. 1370 pieces were counted.

The work was later used in the campaign "In your face" by Ocean. Now! -> https://ocean-now.org/inyourface/

..and was just recently featured in the scientific paper "Revealing the Invisible: Marine Plastic Waste and its Effects in Science-Inspired Visual Art" by Silvia Kurr as a case study (IOP Conference Series: Earth and Environmental Science):
https://iopscience.iop.org/article/10.1088/1755-1315/1474/1/012018

[Swaantje Güntzel, Microplastics II, 2016, Diasec, 120 x 80 cm]

Foto: Henriette Pogoda

#art #conceptualart #contemporaryart #kunst #konzeptkunst #zeitgenössischekunst #photography #fotografie #portrait #porträt #mikroplastik #microplastics #lanzarote #canaryislands #kanarischeinseln #atlantik #atlantic #marinedebris #plasticpollution #plastikkrise #henriettepogoda #oceannow #inyourface #swaantjeguentzel #swaantjegüntzel #silviakurr #iop #womenartists #womensart #nasenbluten

NORTH SEA // Surprise Eggs

Oil painting inspired by Patrick von Kalckreuth's "Schaumkronen auf Wogender See" (1950), commissioned by a Chinese copyist in "Dafen Village" in Shenzhen on behalf of the artist. The oil paint was mixed with plastic particles obtained from shredded surprise eggs. The surprise eggs come from a vessel that lost its freight in a heavy storm on January 4th, 2017 off the coast of the East Frisian island Langeoog.

Realized with the help of Lions Club Langeoog.

[Swaantje Güntzel, NORTH SEA // Surprise Eggs, 2018, oil on canvas, plastics, 59 x 89 cm]

Subsequently added text as ALT TEXT
Oil painting by the German artist Swaantje Güntzel inspired by the work „Schaumkronen auf wogender See“ of the painter Patrick von Kalckreuth. The image shows a powerful wave in the North Sea with a foamy white crest. The various hues go from deep blues to shimmering whites and soft greens. The oil paint was mixed with colorful plastic particles that lie on the surface of the painting. The plastic particles come from shredded surprise eggs that washed ashore the beaches of the Frisian island Langeoog after a container vessel lost 6 containers in a storm in January 2017. The first image shows the details of the plastic particles on the crest of the wave, the second image shows the complete work framed in a simple black wooden frame.

Foto: Tobias Hübel

#art #conceptualart #contemporaryart #kunst #konzeptkunst #zeitgenössischekunst #malerei #painting #oiloncanvas #marinedebris #surpriseeggs #überraschungseier #northsea #nordsee #patrickvonkalckreuth #schaumkronen #wellen #waves #copyist #shenzhen #langeoog #frisia #ostfriesland #swaantjeguentzel #swaantjegüntzel #plastik #containerhavarie #containervessel #mikroplastik #microplastics #ferrero

SPACE HEROINES (How to kick ass in space or The bias of AI)
13/13

Series of female super heroines who maintain law and order in the universe and fight against space debris. The work is conceived as a commentary on male-dominated space travel and of male-determined self-conceptions of space conquest. It was created in the context of an artist residency at European Space Agency (ESA/ESOC) in Darmstadt that Güntzel held in 2022. The works were generated using the open source DALL.E 2 AI from descriptions in natural language. Since then, Güntzel has continued to further develop the work, which simultaneously questions the biased practice of AI in which “heroines” are standardized as white, young, slender, mostly blond, scantily clad, over-sexualized women. More inclusive and diverse images emerged only when prompts explicitly contradicted these norms. Even then, the AI often failed to produce a more inclusive image or the results are so impaired that they are unusable (images that lacked colour, figures without faces, etc.). The series is more relevant than ever after Trump instructed NASA “‘to drop everything’ to scrub public sites of mentioning of DEI, indigenous people, environmental justice, and women in leadership” -> https://www.404media.co/nasa-dei-drop-everything-executive-order/

[Swaantje Güntzel, Space Heroines / black heroine fighting space debris, satellites in the background, 2022/23, Series]

#art #conceptualart #contemporaryart #kunst #konzeptkunst #zeitgenössischekunst #serie #series #spaceheroine #space #spacedebris #orbitaldebris #heroines #esa #nasa #weltraum #raumfahrt #comic #ai #ki #dalle2 #bias #inklusion #sexism #sexismus #inclusion #superheldin #superheroine #swaantjeguentzel #swaantjegüntzel #pixelfedart #womensart #womenartists #spacetravel

SPACE HEROINES (How to kick ass in space or The bias of AI)
12/13

Series of female super heroines who maintain law and order in the universe and fight against space debris. The work is conceived as a commentary on male-dominated space travel and of male-determined self-conceptions of space conquest. It was created in the context of an artist residency at European Space Agency (ESA/ESOC) in Darmstadt that Güntzel held in 2022. The works were generated using the open source DALL.E 2 AI from descriptions in natural language. Since then, Güntzel has continued to further develop the work, which simultaneously questions the biased practice of AI in which “heroines” are standardized as white, young, slender, mostly blond, scantily clad, over-sexualized women. More inclusive and diverse images emerged only when prompts explicitly contradicted these norms. Even then, the AI often failed to produce a more inclusive image or the results are so impaired that they are unusable (images that lacked colour, figures without faces, etc.). The series is more relevant than ever after Trump instructed NASA “‘to drop everything’ to scrub public sites of mentioning of DEI, indigenous people, environmental justice, and women in leadership” -> https://www.404media.co/nasa-dei-drop-everything-executive-order/

[Swaantje Güntzel, Space Heroines / Heroine defending space against villains and space debris, 2022/23, Series]

#art #conceptualart #contemporaryart #kunst #konzeptkunst #zeitgenössischekunst #serie #series #spaceheroine #space #spacedebris #orbitaldebris #heroines #esa #nasa #weltraum #raumfahrt #comic #ai #ki #dalle2 #bias #inklusion #sexism #sexismus #inclusion #superheldin #superheroine #swaantjeguentzel #swaantjegüntzel #pixelfedart #womensart #womenartists #spacetravel

SPACE HEROINES (How to kick ass in space or The bias of AI)
7/13

Series of female super heroines who maintain law and order in the universe and fight against space debris. The work is conceived as a commentary on male-dominated space travel and of male-determined self-conceptions of space conquest. It was created in the context of an artist residency at European Space Agency (ESA/ESOC) in Darmstadt that Güntzel held in 2022. The works were generated using the open source DALL.E 2 AI from descriptions in natural language. Since then, Güntzel has continued to further develop the work, which simultaneously questions the biased practice of AI in which “heroines” are standardized as white, young, slender, mostly blond, scantily clad, over-sexualized women. More inclusive and diverse images emerged only when prompts explicitly contradicted these norms. Even then, the AI often failed to produce a more inclusive image or the results are so impaired that they are unusable (images that lacked colour, figures without faces, etc.). The series is more relevant than ever after Trump instructed NASA “‘to drop everything’ to scrub public sites of mentioning of DEI, indigenous people, environmental justice, and women in leadership” -> https://www.404media.co/nasa-dei-drop-everything-executive-order/

[Swaantje Güntzel, Space Heroines / handicapped heroine with dark hair fighting villains and orbital debris, comic style, 2022/23, Series]

#art #conceptualart #contemporaryart #kunst #konzeptkunst #zeitgenössischekunst #serie #series #spaceheroine #space #spacedebris #orbitaldebris #heroines #esa #nasa #weltraum #raumfahrt #comic #ai #ki #dalle2 #bias #inklusion #sexism #sexismus #inclusion #superheldin #superheroine #swaantjeguentzel #swaantjegüntzel #pixelfedart #womensart #womenartists #spacetravel #wheelchair

SPACE HEROINES (How to kick ass in space or The bias of AI)
6/13

Series of female super heroines who maintain law and order in the universe and fight against space debris. The work is conceived as a commentary on male-dominated space travel and of male-determined self-conceptions of space conquest. It was created in the context of an artist residency at European Space Agency (ESA/ESOC) in Darmstadt that Güntzel held in 2022. The works were generated using the open source DALL.E 2 AI from descriptions in natural language. Since then, Güntzel has continued to further develop the work, which simultaneously questions the biased practice of AI in which “heroines” are standardized as white, young, slender, mostly blond, scantily clad, over-sexualized women. More inclusive and diverse images emerged only when prompts explicitly contradicted these norms. Even then, the AI often failed to produce a more inclusive image or the results are so impaired that they are unusable (images that lacked colour, figures without faces, etc.). The series is more relevant than ever after Trump instructed NASA “‘to drop everything’ to scrub public sites of mentioning of DEI, indigenous people, environmental justice, and women in leadership” -> https://www.404media.co/nasa-dei-drop-everything-executive-order/

[Swaantje Güntzel, Space Heroines / heroine with grey hair wearing a turtle neck fighting orbital debris, satellites in the back comic style, 2022/23, Series]

#art #conceptualart #contemporaryart #kunst #konzeptkunst #zeitgenössischekunst #serie #series #spaceheroine #space #spacedebris #orbitaldebris #heroines #esa #nasa #weltraum #raumfahrt #comic #ai #ki #dalle2 #bias #inklusion #sexism #sexismus #inclusion #superheldin #superheroine #swaantjeguentzel #swaantjegüntzel #pixelfedart #womensart #womenartists #spacetravel

SPACE HEROINES (How to kick ass in space or The bias of AI)
5/13

Series of female super heroines who maintain law and order in the universe and fight against space debris. The work is conceived as a commentary on male-dominated space travel and of male-determined self-conceptions of space conquest. It was created in the context of an artist residency at European Space Agency (ESA/ESOC) in Darmstadt that Güntzel held in 2022. The works were generated using the open source DALL.E 2 AI from descriptions in natural language. Since then, Güntzel has continued to further develop the work, which simultaneously questions the biased practice of AI in which “heroines” are standardized as white, young, slender, mostly blond, scantily clad, over-sexualized women. More inclusive and diverse images emerged only when prompts explicitly contradicted these norms. Even then, the AI often failed to produce a more inclusive image or the results are so impaired that they are unusable (images that lacked colour, figures without faces, etc.). The series is more relevant than ever after Trump instructed NASA “‘to drop everything’ to scrub public sites of mentioning of DEI, indigenous people, environmental justice, and women in leadership” -> https://www.404media.co/nasa-dei-drop-everything-executive-order/

[Swaantje Güntzel, Space Heroines / plus size heroine with short dark hair wearing a turtle neck fighting orbital debris comic style, 2022/23, Series]

#art #conceptualart #contemporaryart #kunst #konzeptkunst #zeitgenössischekunst #serie #series #spaceheroine #space #spacedebris #orbitaldebris #heroines #esa #nasa #weltraum #raumfahrt #comic #ai #ki #dalle2 #bias #inklusion #sexism #sexismus #inclusion #superheldin #superheroine #swaantjeguentzel #swaantjegüntzel #pixelfedart #womensart #womenartists #spacetravel

SPACE HEROINES (How to kick ass in space or The bias of AI)
3/13

Series of female super heroines who maintain law and order in the universe and fight against space debris. The work is conceived as a commentary on male-dominated space travel and of male-determined self-conceptions of space conquest. It was created in the context of an artist residency at European Space Agency (ESA/ESOC) in Darmstadt that Güntzel held in 2022. The works were generated using the open source DALL.E 2 AI from descriptions in natural language. Since then, Güntzel has continued to further develop the work, which simultaneously questions the biased practice of AI in which “heroines” are standardized as white, young, slender, mostly blond, scantily clad, over-sexualized women. More inclusive and diverse images emerged only when prompts explicitly contradicted these norms. Even then, the AI often failed to produce a more inclusive image or the results are so impaired that they are unusable (images that lacked colour, figures without faces, etc.). The series is more relevant than ever after Trump instructed NASA “‘to drop everything’ to scrub public sites of mentioning of DEI, indigenous people, environmental justice, and women in leadership” -> https://www.404media.co/nasa-dei-drop-everything-executive-order/

[Swaantje Güntzel, Space Heroines / black space heroine fighting debris comic style, 2022/23, Series]

#art #conceptualart #contemporaryart #kunst #konzeptkunst #zeitgenössischekunst #serie #series #spaceheroine #space #spacedebris #orbitaldebris #heroines #esa #nasa #weltraum #raumfahrt #comic #ai #ki #dalle2 #bias #inklusion #sexism #sexismus #inclusion #superheldin #superheroine #swaantjeguentzel #swaantjegüntzel #pixelfedart #womensart #womenartists #spacetravel

SPACE HEROINES (How to kick ass in space or The bias of AI)
2/13

Series of female super heroines who maintain law and order in the universe and fight against space debris. The work is conceived as a commentary on male-dominated space travel and of male-determined self-conceptions of space conquest. It was created in the context of an artist residency at European Space Agency (ESA/ESOC) in Darmstadt that Güntzel held in 2022. The works were generated using the open source DALL.E 2 AI from descriptions in natural language. Since then, Güntzel has continued to further develop the work, which simultaneously questions the biased practice of AI in which “heroines” are standardized as white, young, slender, mostly blond, scantily clad, over-sexualized women. More inclusive and diverse images emerged only when prompts explicitly contradicted these norms. Even then, the AI often failed to produce a more inclusive image or the results are so impaired that they are unusable (images that lacked colour, figures without faces, etc.). The series is more relevant than ever after Trump instructed NASA “‘to drop everything’ to scrub public sites of mentioning of DEI, indigenous people, environmental justice, and women in leadership” -> https://www.404media.co/nasa-dei-drop-everything-executive-order/

[Swaantje Güntzel, Space Heroines / asian looking plus size heroine wearing a turtle neck fighting villains and orbital debris satellites in the back comic style , 2022/23, Series]

#art #conceptualart #contemporaryart #kunst #konzeptkunst #zeitgenössischekunst #serie #series #spaceheroine #space #spacedebris #orbitaldebris #heroines #esa #nasa #weltraum #raumfahrt #comic #ai #ki #dalle2 #bias #inklusion #sexism #sexismus #inclusion #superheldin #superheroine #swaantjeguentzel #swaantjegüntzel #pixelfedart #womensart #womenartists #spacetravel

Coffee to go

Performance presented at Performance Festival Perform now! Winterthur, Switzerland in 2015. After sewing a "trunk" made of lids for coffee-to-go cups the artist wandered around, stared at people, stopped in front of walls and eventually opened the trunk again to throw the lids on the floor. She then disappeared.

[Swaantje Güntzel, Coffee to go, 2025, Performance]

Foto: Wolfgang Probst

#art #conceptualart #contemporaryart #performance #performancefestival #performnow #winterthur #switzerland #coffeetogo #singleuseplastic #kunst #konzeptkunst #zeitgenössischekunst #swaantjeguentzel #swaantjegüntzel #wolfgangprobst

Lunar Litter (Jettison Bag) or Things we left on the moon

Garbage bag, inspired by the so-called “jettison bags” used in space travel. I had two of these bags produced and embroidered with the lettering “lunar litter only.” On May 23, 2023, one bag was sent to the HQ of NASA with the request that it be taken to the moon as part of the Artemis II mission, planned for 2025, to retrieve some of the 190 tons of material left behind by NASA during the Apollo missions.

You find all the objects that were left behind on the moon listed in the "Catalogue of Manmade Material on the Moon" by NASA - National Aeronautics and Space Administration here: https://www.nasa.gov/wp-content/uploads/2024/02/final-catalogue-of-manmade-material-on-the-moon.pdf

I realized the work with the help of my wonderful assistant Joana Bacelar.
Installation view of my exhibition "Instant Paradise" at Villa Dessauer Bamberg (Museen der Stadt Bamberg) in 2023.

[Swaantje Güntzel, Lunar Litter (Jettison Bag), 2023, polyester, embroidery thread, plastic, galvanized metal, 50 x 53 x 98 cm]

Foto: Tobias Hübel

#art #conceptualart #contemporaryart #kunst #konzeptkunst #zeitgenössischekunst #installation #nasa #esa #spacedebris #orbitaldebris #artemisII #moon #mond #lunarlitter #jettisonbags #apollo #apollomissions #weltraumschrott #artistinscience #exhibition #villadessauer #bamberg #exhibition #instantparadise #swaantjeguentzel #swaantjegüntzel #ausstellung

PORTRAIT / NSW Australia 2020

Portrait of the artist getting covered with ashes and charcoal collected after the devastating bushfires in New South Wales/Australia in 2020.

Realized with the help of my Australian artists friends Sue McCauley and Michael Buckley!

Foto: Henriette Pogoda
Assistance: Joana Bacelar

[Swaantje Güntzel, PORTRAIT / NSW Australia 2020, 2020, Diasec, 120 x 80 cm]

#art #conceptualart #contemporaryart #kunst #konzeptkunst #zeitgenössischekunst #photography #fotografie #portrait #porträt #henriettepogoda #waldbrand #bushfires #australia #australien #newsouthwales #michaelbuckley #suemccauley #charcoal #holzkohle #climatecrisis #klimakrise #klimawandel #climatechange #joanabacelar #swaantjeguentzel #swaantjegüntzel

SEASCAPE I / Nordfrieslandmuseum Husum

This is the first work I produced within my ongoing series "SEASCAPES" in 2020.

Portrait staged in front of a seascape without title by Karl Rohwedder-Ruge (1865-1940), dated on the first third of the 20th century. The painting is part of the collection of Nordfriesland Museum. Nissenhaus Husum. The artist is surrounded by single use plastic items typically found in public space.

[Swaantje Güntzel, SEESTÜCK I / Nordfrieslandmuseum Husum, 2020, Diasec, 80 x 120 cm]

Foto: Henriette Pogoda

#art #conceptualart #contemporaryart #kunst #konzeptkunst #zeitgenössischekunst #nordfrieslandmuseum #husum #karlrohwedderruge #seestück #seestücke #seascape #seascapes #museum #collection #oilpainting #painting #paintings #northsea #nordsee #photography #fotografie #henriettepogoda #waste #marinedebris #littering #singleuseplastic #coffeetogo #takeaway #fastfood #müll #plasticbag #plastiktüte #plastikflasche #plasticbottle #swaantjeguentzel #swaantjegüntzel #strabd #beach #waves #wellen #einwegplastik #caprisonne #caprisun #durstlöscher #navydress #goldrahmen

SEASCAPE III / Bröhan-Museum

Portrait realized in front of the work "Wellen im Sturm" (Waves in the storm), 1915, by Karl Hagemeister at Bröhan-Museum Berlin. The artists is holding foil balloons while contemplating the painting, being surrounded by balloons found on different German beaches and balloons that already deflated.

[Swaantje Güntzel, SEESTÜCK (Seascape) III / Bröhan-Museum, 2021, Diasec, 80 x 120 cm]

Foto: Henriette Pogoda

#art #conceptualart #conceptualphotography #contemporaryart #kunst #konzeptkunst #zeitgenössischekunst #photography #fotografie #bröhanmuseum #berlin #seascape #seestück #seestücke #balloon #balloons #luftballons #folienballon #marinedebris #karlhagemeister #museum #ausstellung #welle #waves #wellenimsturm #deutschesee #rügen #ostsee #herzballon #swaantjeguentzel #swaantjegüntzel #mickymouse #swan #schwan #unicorn #einhorn

SEASCAPE IV / Museum Kunst der Westküste, Föhr

Production in front of the work “Harbor Entrance” (1916) by Erich Heckel (1883–1970). The work was realized in the painting depot of Museum Kunst der Westküste (Föhr). The artist holds a 100-pound US aerial bomb under her arm which was recovered from the North Sea. The work is part of the artist´s ongoing series "Seascapes".

In the German North and Baltic Seas, there are contaminated sites of about 1.6 million tons of conventional munitions and 5,000 tons of chemical warfare agents dumped during World War II by military operations or afterwards by dumping (source: Federal Environment Agency Germany).

Realized with the help of SeaTerra GmbH.

[Swaantje Güntzel, SEESTÜCK IV / Museum Kunst der Westküste, Föhr, 2024, Diasec, 80 × 120 cm]

Foto: Henriette Pogoda
Assistance: Joana Bacelar

#art #conceptualart #contemporaryart #kunst #konzeptkunst #zeitgenössischekunst #fotografie #photography #seascape #seascapes #seestück #seestücke #erichheckel #war #munition #worldwar1 #ww1 #worldwar2 #ww2 #marinedebris #seaterra #mkdw #museumkunstderwestküste #föhr #nordsee #ostsee #northsea #balticsea #museum #museumsdepot #painting #henriettepogoda #aerialbomb #bomb #zerscheller #hafeneinfahrt #fliegerbombe #ammunition #paintings #reddress #swaantjeguentzel #swaantjegüntzel