Lozenger – Motes
#Electroacoustic #Electronic #ambient #droneambient #electroacoustic #electronica #experimental #experimentaljazz #jazzandimprovisedmusic #noise #spectralmusic #spectralism #Berlin
CC BY-NC-ND (#CreativeCommons Attribution Non Commercial No Derivatives) #ccmusic
https://straysignals.bandcamp.com/album/motes

San Francisco Symphony / San Francisco Symphony Chorus / Esa-Pekka Salonen / Fleur Barron / Axelle Fanyo / Nicholas Phan / Christopher Purves
Saariaho: Adriana Mater (2024)
#ClassicalMusic #Opera #Spectralism
https://open.spotify.com/intl-de/album/50NfHk7zNeKrlWhWKC2k8k?si=tIDCwFW5RjqrkikmVsKv7w

Kaija #Saariaho, #trio avec #piano "Light and Matter"
Vatche Jambazian, piano
Jessica Fellows, #violon
Mariko Wyrick, #violoncelle
#Juilliard School, 2016
Saariaho combine toujours avec grâce le(s) langage(s) de l'#avantgarde, avec une influence marquée du #spectralisme, dans un discours personnel d'une infinie liberté, immédiatement séduisant!
https://www.youtube.com/watch?v=qqLQ83aDbbs
#cello #classicalmusic #musiqueclassique #chambermusic #musiquedechambre #musiquecontemporaine #contemporarymusic #spectralism

Les Espaces Acoustiques is a cycle of six pieces composed by Gérard Grisey, from 1974 to 1985, for various instruments, ranging from solo viola to large orchestra. These pieces can be linked without interruption, each of them widening the acoustic field of the previous one. The unity of the cycle is achieved by the formal similarity of the different parts, and by two acoustic reference points: the spectrum of harmonics and duration.
#spectralism