icastico<p>Ben LeMar Gay - Yowzers </p><p>Amazing right out of the gate <a href="https://c.im/tags/jazz" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>jazz</span></a> <a href="https://c.im/tags/jazzFusion" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>jazzFusion</span></a> <a href="https://c.im/tags/BlackClassicalMusic" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>BlackClassicalMusic</span></a> <a href="https://c.im/tags/experimentalMusic" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>experimentalMusic</span></a> <a href="https://c.im/tags/vinyl" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>vinyl</span></a> <span class="h-card" translate="no"><a href="https://a.gup.pe/u/vinylrecords" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@<span>vinylrecords</span></a></span> <a href="https://c.im/tags/NowPlaying" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>NowPlaying</span></a></p>
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#jazzfusion
6 posts · 6 participants · 0 posts today
Luiz Santos<p>Jaco Pastorius - Live at Toad's Place, New Haven CT July 1st, 1982 <a href="https://youtu.be/xzzTIV7x_Ck?si=MivKNhawr2i75DZ7" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">youtu.be/xzzTIV7x_Ck?si=MivKNh</span><span class="invisible">awr2i75DZ7</span></a> <br><a href="https://mastodon.social/tags/jazz" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>jazz</span></a> <a href="https://mastodon.social/tags/art" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>art</span></a> <a href="https://mastodon.social/tags/jazzfusion" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>jazzfusion</span></a> <a href="https://mastodon.social/tags/jazzlegends" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>jazzlegends</span></a> <a href="https://mastodon.social/tags/jazzmusic" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>jazzmusic</span></a></p>
El Pregoner del Metall<p>BYONOISEGENERATOR (Rússia) presenta nou àlbum: "Subnormal Dives" <a href="https://mastodon.social/tags/Byonoisegenerator" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Byonoisegenerator</span></a> <a href="https://mastodon.social/tags/BrutalDeathMetal" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>BrutalDeathMetal</span></a> <a href="https://mastodon.social/tags/Grindcore" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Grindcore</span></a> <a href="https://mastodon.social/tags/Mathcore" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Mathcore</span></a> <a href="https://mastodon.social/tags/JazzFusion" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>JazzFusion</span></a> <a href="https://mastodon.social/tags/Juny2025" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Juny2025</span></a> <a href="https://mastodon.social/tags/R%C3%BAssia" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Rússia</span></a> <a href="https://mastodon.social/tags/Nou%C3%80lbum" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>NouÀlbum</span></a> <a href="https://mastodon.social/tags/Metall" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Metall</span></a> <a href="https://mastodon.social/tags/Metal" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Metal</span></a> <a href="https://mastodon.social/tags/M%C3%BAsicaMetal" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>MúsicaMetal</span></a> <a href="https://mastodon.social/tags/MetalMusic" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>MetalMusic</span></a></p>
GetMusic - Free Bandcamp Codes<p>Free download codes:</p><p>Electrutter - February Phlegmatism</p><p>"Experimental jazz fusion noise rock"</p><p><a href="https://getmusic.fm/l/c7Tlso" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="">getmusic.fm/l/c7Tlso</span><span class="invisible"></span></a></p><p><a href="https://mastodon.social/tags/electronic" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>electronic</span></a> <a href="https://mastodon.social/tags/experimental" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>experimental</span></a> <a href="https://mastodon.social/tags/jazzfusion" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>jazzfusion</span></a> <a href="https://mastodon.social/tags/music" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>music</span></a></p>
りさく(auto post)<p>♬〜 Larry Goldings - Sing Song 💿I Will<br><a href="https://mastodon-japan.net/tags/Jazz" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Jazz</span></a> <a href="https://mastodon-japan.net/tags/JazzFunk" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>JazzFunk</span></a> <a href="https://mastodon-japan.net/tags/JazzFusion" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>JazzFusion</span></a> <a href="https://mastodon-japan.net/tags/ContemporaryJazz" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ContemporaryJazz</span></a> <a href="https://mastodon-japan.net/tags/Piano" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Piano</span></a> <a href="https://mastodon-japan.net/tags/NowPlaying" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>NowPlaying</span></a></p>
icastico<p>Tupelo Chain Sex - Spot The Difference</p><p>Another one for LA <a href="https://c.im/tags/jazz" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>jazz</span></a> <a href="https://c.im/tags/punk" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>punk</span></a> <a href="https://c.im/tags/postPunk" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>postPunk</span></a> <a href="https://c.im/tags/jazzFusion" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>jazzFusion</span></a> <a href="https://c.im/tags/vinyl" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>vinyl</span></a> <span class="h-card" translate="no"><a href="https://a.gup.pe/u/vinylrecords" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@<span>vinylrecords</span></a></span> <a href="https://c.im/tags/80s" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>80s</span></a> <a href="https://c.im/tags/NowPlaying" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>NowPlaying</span></a> </p><p>The Revolution WILL be televised</p>
Historiadelamusicaelectronica<p>Historia de la música electrónica popular: 1977: Osamu Kitajima en Estados Unidos <a href="https://historiadelamusicaelectronicapopular.blogspot.com/2025/06/1977-osamu-kitajima-en-estados-unidos.html" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">historiadelamusicaelectronicap</span><span class="invisible">opular.blogspot.com/2025/06/1977-osamu-kitajima-en-estados-unidos.html</span></a> <a href="https://mastodon.social/tags/%E5%96%9C%E5%A4%9A%E5%B6%8B%E4%BF%AE" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>喜多嶋修</span></a> <a href="https://mastodon.social/tags/OsamuKitajima" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>OsamuKitajima</span></a> <a href="https://mastodon.social/tags/Japan" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Japan</span></a> <a href="https://mastodon.social/tags/jazzfusion" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>jazzfusion</span></a> <a href="https://mastodon.social/tags/progrock" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>progrock</span></a> <a href="https://mastodon.social/tags/newage" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>newage</span></a> <a href="https://mastodon.social/tags/folk" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>folk</span></a> Osamu - 1977</p>
icastico<p>Hermann Szobel - Szobel (1976)</p><p>So many notes - the one album by this <a href="https://c.im/tags/piano" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>piano</span></a> player. Hectic and adventurous. Recorded and released when he was 18, it is the only work by him. He was later tracked down after being reported as missing by his family in 2002. </p><p>“Katarzyna Kozyra, the Polish artist and filmmaker, met Szobel in Jerusalem while working on her project called "Looking for Jesus" (Polish: Szukając Jezusa), a film about people with a condition known as Jerusalem Syndrome. Szobel agreed to record the conversation, but you cannot see his face in Kozyra's movie. He was living like a homeless man, eating what he could find in the streets, but still being an artist” </p><p><a href="https://c.im/tags/vinyl" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>vinyl</span></a> <span class="h-card" translate="no"><a href="https://a.gup.pe/u/vinylrecords" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@<span>vinylrecords</span></a></span> <a href="https://c.im/tags/JazzFusion" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>JazzFusion</span></a> <a href="https://c.im/tags/instrumentalMusic" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>instrumentalMusic</span></a> <a href="https://c.im/tags/NowPlaying" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>NowPlaying</span></a> <a href="https://c.im/tags/progRock" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>progRock</span></a></p>
Tyler K. Nothing<p><a href="https://hear-me.social/tags/NowPlaying" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>NowPlaying</span></a> @ Nothing Manor: GHS3 (2002) Frank Gambale (guitars), Stuart Hamm (bass), and Steve Smith (drums) duke it out with some blazing <a href="https://hear-me.social/tags/JazzFusion" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>JazzFusion</span></a> from three titans of <a href="https://hear-me.social/tags/JazzRock" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>JazzRock</span></a>. Wear headphones for this one. <a href="https://hear-me.social/tags/music" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>music</span></a> <a href="https://www.youtube.com/watch?v=zd8NX3RKDJQ&list=PLcbMKUwLnTK7ggctSZdJjUI0NDi-5knRx" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">youtube.com/watch?v=zd8NX3RKDJ</span><span class="invisible">Q&list=PLcbMKUwLnTK7ggctSZdJjUI0NDi-5knRx</span></a></p>
Exposé Online<p>New <a href="https://mas.to/tags/review" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>review</span></a> today for Creators by <a href="https://mas.to/tags/RunawayTotem" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>RunawayTotem</span></a>: "The music is an instrumental amalgamation of <a href="https://mas.to/tags/ProgressiveRock" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ProgressiveRock</span></a>, <a href="https://mas.to/tags/JazzFusion" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>JazzFusion</span></a>, and an undercurrent of <a href="https://mas.to/tags/SpaceRock" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>SpaceRock</span></a>." <a href="https://mas.to/tags/ExposeOnline" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ExposeOnline</span></a> <a href="http://expose.org/index.php/articles/display/runaway-totem-creators-1.html" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">http://</span><span class="ellipsis">expose.org/index.php/articles/</span><span class="invisible">display/runaway-totem-creators-1.html</span></a></p>
りさく(auto post)<p>♬〜 Allan Holdsworth - ホワイト・ライン - ライブ 💿ライヴ・イン・カリフォルニア １９８２ (ライブ)<br><a href="https://mastodon-japan.net/tags/Jazz" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Jazz</span></a> <a href="https://mastodon-japan.net/tags/JazzFusion" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>JazzFusion</span></a> <a href="https://mastodon-japan.net/tags/ProgressiveRock" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ProgressiveRock</span></a> <a href="https://mastodon-japan.net/tags/Experimental" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Experimental</span></a> <a href="https://mastodon-japan.net/tags/Guitar" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Guitar</span></a> <a href="https://mastodon-japan.net/tags/NowPlaying" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>NowPlaying</span></a></p>
りさく(auto post)<p>♬〜 Allan Holdsworth - ロード・ゲームス - ライブ 💿ライヴ・イン・カリフォルニア １９８２ (ライブ)<br><a href="https://mastodon-japan.net/tags/Jazz" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Jazz</span></a> <a href="https://mastodon-japan.net/tags/JazzFusion" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>JazzFusion</span></a> <a href="https://mastodon-japan.net/tags/ProgressiveRock" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ProgressiveRock</span></a> <a href="https://mastodon-japan.net/tags/Experimental" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Experimental</span></a> <a href="https://mastodon-japan.net/tags/Guitar" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Guitar</span></a> <a href="https://mastodon-japan.net/tags/NowPlaying" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>NowPlaying</span></a></p>
りさく(auto post)<p>♬〜 Allan Holdsworth - ワズ・ゼア？ - ライブ 💿ライヴ・イン・カリフォルニア １９８２ (ライブ)<br><a href="https://mastodon-japan.net/tags/Jazz" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Jazz</span></a> <a href="https://mastodon-japan.net/tags/JazzFusion" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>JazzFusion</span></a> <a href="https://mastodon-japan.net/tags/ProgressiveRock" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ProgressiveRock</span></a> <a href="https://mastodon-japan.net/tags/Experimental" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Experimental</span></a> <a href="https://mastodon-japan.net/tags/Guitar" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Guitar</span></a> <a href="https://mastodon-japan.net/tags/NowPlaying" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>NowPlaying</span></a></p>
りさく(auto post)<p>♬〜 Allan Holdsworth - ホウェア・イズ・ワン - ライブ 💿ライヴ・イン・カリフォルニア １９８２ (ライブ)<br><a href="https://mastodon-japan.net/tags/Jazz" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Jazz</span></a> <a href="https://mastodon-japan.net/tags/JazzFusion" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>JazzFusion</span></a> <a href="https://mastodon-japan.net/tags/ProgressiveRock" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ProgressiveRock</span></a> <a href="https://mastodon-japan.net/tags/Experimental" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Experimental</span></a> <a href="https://mastodon-japan.net/tags/Guitar" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Guitar</span></a> <a href="https://mastodon-japan.net/tags/NowPlaying" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>NowPlaying</span></a></p>
りさく(auto post)<p>♬〜 Allan Holdsworth - ベース・ソロ (incl. ディクシー、 セント・トーマス、未知との遭遇のテーマ) - ライブ 💿ライヴ・イン・カリフォルニア １９８２ (ライブ)<br><a href="https://mastodon-japan.net/tags/Jazz" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Jazz</span></a> <a href="https://mastodon-japan.net/tags/JazzFusion" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>JazzFusion</span></a> <a href="https://mastodon-japan.net/tags/ProgressiveRock" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ProgressiveRock</span></a> <a href="https://mastodon-japan.net/tags/Experimental" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Experimental</span></a> <a href="https://mastodon-japan.net/tags/Guitar" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Guitar</span></a> <a href="https://mastodon-japan.net/tags/NowPlaying" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>NowPlaying</span></a></p>
りさく(auto post)<p>♬〜 Allan Holdsworth - チェッキング・アウト - ライブ 💿ライヴ・イン・カリフォルニア １９８２ (ライブ)<br><a href="https://mastodon-japan.net/tags/Jazz" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Jazz</span></a> <a href="https://mastodon-japan.net/tags/JazzFusion" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>JazzFusion</span></a> <a href="https://mastodon-japan.net/tags/ProgressiveRock" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ProgressiveRock</span></a> <a href="https://mastodon-japan.net/tags/Experimental" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Experimental</span></a> <a href="https://mastodon-japan.net/tags/Guitar" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Guitar</span></a> <a href="https://mastodon-japan.net/tags/NowPlaying" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>NowPlaying</span></a></p>
りさく(auto post)<p>♬〜 Allan Holdsworth - アウト・フロム・アンダー - ライブ 💿ライヴ・イン・カリフォルニア １９８２ (ライブ)<br><a href="https://mastodon-japan.net/tags/Jazz" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Jazz</span></a> <a href="https://mastodon-japan.net/tags/JazzFusion" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>JazzFusion</span></a> <a href="https://mastodon-japan.net/tags/ProgressiveRock" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ProgressiveRock</span></a> <a href="https://mastodon-japan.net/tags/Experimental" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Experimental</span></a> <a href="https://mastodon-japan.net/tags/Guitar" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Guitar</span></a> <a href="https://mastodon-japan.net/tags/NowPlaying" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>NowPlaying</span></a></p>
Angry Metal Guy<p><a href="https://www.angrymetalguy.com/quadvium-tetradom-review/" rel="nofollow noopener noreferrer" target="_blank">Quadvium – Tetradōm Review</a></p><p><i>By Dolphin Whisperer</i></p><p>Who needs two guitar players when you could have two master bass players at the helm? <strong>Quadvium</strong> seeks to answer this question with the fiery fingerwork of metal legends Steve DiGiorgio and Jeroen Paul Thesseling. DiGiorgio revolutionized bass playing in the metalsphere through radical death works with <strong>Autopsy</strong>, <strong>Death</strong>,<a href="https://www.angrymetalguy.com/quadvium-tetradom-review/#fn-217020-1" rel="nofollow noopener noreferrer" target="_blank">1</a> and his own band, <strong>Sadus</strong>. Even if you don’t know his name, you may recognize these hallmarks of percussive and frenetic bass engineering, or any number of the <a href="https://www.metal-archives.com/artists/Steve_DiGiorgio/808" rel="nofollow noopener noreferrer" target="_blank">thrashy, deathly, or progressive albums</a> to which he has lent a wild, throbbing pulse. Likewise, Thesseling has weaved his way around <a href="https://www.angrymetalguy.com/sadist-firescorched-things-you-might-have-missed-2022/" rel="nofollow noopener noreferrer" target="_blank">celebrated releases</a>, designing a style equally tricky but heavier in jazz-indebted fusion. Both <strong>Pestilence</strong>’s <em>Spheres</em> and <strong>Obscura</strong>’s breakout albums <em>Cosmogenesis</em> and <a href="https://www.angrymetalguy.com/obscura-omnivium-review/" rel="nofollow noopener noreferrer" target="_blank"><em>Omnivium</em></a> would not have seen the same light without his buttery and bleeping presence.</p><p>In the collision of these two thick-stringed giants, <em>Tetradōm</em> weaves and wobbles in delectable harmony. The role of bass in rock and metal arrangements rarely settles into that of the lead. But with conductors of this caliber on fretless, and extended-range bass devices,<a href="https://www.angrymetalguy.com/quadvium-tetradom-review/#fn-217020-2" rel="nofollow noopener noreferrer" target="_blank">2</a> nasally slides, flatulent thumps, and snarling shuffles rumble about this airy but grounded soundstage. Despite the low-end firepower at play, each accompanying performer brings flair and experience to their respective lanes. Guitarist (and engineer for <em>Tetradōm</em>) Eve (<strong>Kaathe</strong>) brings a flowing touch and additional melodic guide—opener “Moksha” even leads with her crystalline phrasing—that borrows from her tenure with instrumental progressive outlet <strong>Myth of I</strong>. And kitmeister Yuma van Eekelen has a storied rhythmic history with understated bands <a href="https://www.angrymetalguy.com/our-oceans-while-time-disappears-review/" rel="nofollow noopener noreferrer" target="_blank"><strong>Our Oceans</strong></a> and <a href="https://www.angrymetalguy.com/exivious-liminal-review/" rel="nofollow noopener noreferrer" target="_blank"><strong>Exivious</strong></a> that allows his textural phrasing to embolden the space between flying frequencies. No shortage of talent befalls <strong>Quadvium</strong>’s calculated stride.</p><p></p><p>Though a tag of supergroup may follow <strong>Quadvium</strong>, <em>Tetradōm</em> leads with an ear for the tasteful and impactful rather than one deafened by excess. All members of <strong>Quadvium</strong> possess an overwhelming prowess and creativity that edges toward the funky fresh technicality of a fusion act like <strong>Tribal Tech</strong>. Yet, with a djent-like groove, <strong>Quadvium</strong> reclaims the sterile nature of scooped drop-F chugging against glitchy electronic backings with panned wide, warm bass massaging (“Apophis,” “Adhyasa”). Popping harmonics blare<a href="https://www.angrymetalguy.com/quadvium-tetradom-review/#fn-217020-3" rel="nofollow noopener noreferrer" target="_blank">3</a> in a glory as flighty interruptions amongst <strong>Animals as Leaders</strong>-knotted riffage, all while capturing the exploratory jazz feel of the iconic and influential <strong>Jaco Pastorius</strong> (“Náströnd”). Howling and whinnying melodies signal a path around which Eve and van Eekelen can prance in touch-and-go solo flutters and cymbal-savvy atmosphere (“Sarab,” “Eidolon”). The breadth of techniques and tones on display requires an open and engaged mind to enjoy. But <strong>Quadvium</strong>’s resonant, interwoven throughput tied fast to ever-unfolding refrains never drifts into solo-laden, wandering note tedium.</p><p></p><p>Such a bass-forward presentation—and not in the subwoofer booming way that modern hip-hop or electronic music can be—requires a listening setup with an extra oomph through the low and mid range. I remember the first time I listened to <strong>Gordian Knot</strong>’s “<a href="https://www.youtube.com/watch?v=tABeTV1vaSY" rel="nofollow noopener noreferrer" target="_blank">Arsis</a>,” a subtle solo bass intro to 2003’s classic, <a href="https://www.progarchives.com/album.asp?id=2218" rel="nofollow noopener noreferrer" target="_blank"><em>Emergent</em></a>, I could have sworn nothing emerged from my crackling Logitech speakers, its subtle hum nary an auditory blip. <strong>Quadvium </strong>doesn’t render their instrumental dialogue quite as soft-spoken, with performers’ metal edges and jazzy chatter (and Eve’s cybersynth sound design) filling the room with bright, up-front, persistent movement. But to hear the nuances, and fall into a fuller love with <em>Tetradōm</em>, you may have to reach for your richest listening mode so that you lose neither the delicate drum teasing intro to “Ghardus”—and the bass duo’s subsequent descent to the lowest range of the experience—nor the delicate floor-scraping harmonies of “Apophis.” Of course, you could just crank that volume knob, lay out on the floor, and let the braying call-and-response bends of “Sarab” or the modulated stacked-track bliss of “Eidolon” vibrate your being to a higher existence.</p><p>Without a single word, <strong>Quadvium</strong> manages to conjure the esoteric nature that <em>Tetradōm</em> and its philosophy-inspired titles promise. Its strike, though, takes full shape, eschewing the potential for amorphous free jazz tone flexing that fusion music can embody. DiGiorgio and Thesseling have a vision of what bass can be in a rock and metal context, and <em>Tetradōm </em>realizes that with every squeaking slide, pattering finger roll, cascading chord. Masters don’t always produce hungry music, but <strong>Quadvium</strong> has shown their appetite remains growling.</p> <p><strong>Rating</strong>: 4.0/5.0<em><br></em><strong>DR</strong>: 7 | <strong>Format Reviewed</strong>: 256 kbps mp3<br><strong>Label</strong>: <a href="https://www.agoniarecords.com/" rel="nofollow noopener noreferrer" target="_blank">Agonia Records</a> | <a href="https://agoniarecords.bandcamp.com/music" rel="nofollow noopener noreferrer" target="_blank">Bandcamp</a><br><strong>Website</strong>: <a href="https://www.facebook.com/quadviumofficial/" rel="nofollow noopener noreferrer" target="_blank">facebook.com/quadviumofficial</a><br><strong>Releases Worldwide</strong>: May 30th, 2025</p><p><a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/2025/" target="_blank">#2025</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/40/" target="_blank">#40</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/agonia-records/" target="_blank">#AgoniaRecords</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/animals-as-leaders/" target="_blank">#AnimalsAsLeaders</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/atheist/" target="_blank">#Atheist</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/autopsy/" target="_blank">#Autopsy</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/death/" target="_blank">#Death</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/exivious/" target="_blank">#Exivious</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/gordian-knot/" target="_blank">#GordianKnot</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/instrumental-metal/" target="_blank">#InstrumentalMetal</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/international-metal/" target="_blank">#InternationalMetal</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/jaco-pastorius/" target="_blank">#JacoPastorius</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/jazz-fusion/" target="_blank">#JazzFusion</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/may25/" target="_blank">#May25</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/myth-of-i/" target="_blank">#MythOfI</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/obscura/" target="_blank">#Obscura</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/our-oceans/" target="_blank">#OurOceans</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/pestilence/" target="_blank">#Pestilence</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/progressive-metal/" target="_blank">#ProgressiveMetal</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/quadvium/" target="_blank">#Quadvium</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/review/" target="_blank">#Review</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/reviews/" target="_blank">#Reviews</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/sadist/" target="_blank">#Sadist</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/sadus/" target="_blank">#Sadus</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/tetradom/" target="_blank">#Tetradōm</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/tribal-tech/" target="_blank">#TribalTech</a></p>
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