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#horroracademia

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Horror Lex®<p>Hannah Lauren Murray writes about GET OUT (2017) &amp; Robert M. Bird’s Sheppard Lee (1836) in which Black bodies unwillingly &quot;bolster Whiteness&quot; by helping escaping it. &quot;Get In and Get Out...&quot; is <a href="https://mstdn.social/tags/OpenAccess" class="mention hashtag" rel="tag">#<span>OpenAccess</span></a> in Humanities from MDPI. <a href="https://mstdn.social/tags/horror" class="mention hashtag" rel="tag">#<span>horror</span></a> <a href="https://mstdn.social/tags/horrorfilms" class="mention hashtag" rel="tag">#<span>horrorfilms</span></a> <a href="https://mstdn.social/tags/horrormovies" class="mention hashtag" rel="tag">#<span>horrormovies</span></a> <a href="https://mstdn.social/tags/horroracademia" class="mention hashtag" rel="tag">#<span>horroracademia</span></a><br /><a href="https://doi.org/10.3390/h12060129" target="_blank" rel="nofollow noopener" translate="no"><span class="invisible">https://</span><span class="">doi.org/10.3390/h12060129</span><span class="invisible"></span></a></p>
Horror Lex®<p>You like blood and guts, you sicko?!? No worries, Marius A. Pascale is here to redeem you. Read his new essay &quot;Horror cinema and sadistic spectacle: A further defense of gorefests.&quot; Cogent Arts &amp; Humanities <a href="https://mstdn.social/tags/OpenAccess" class="mention hashtag" rel="tag">#<span>OpenAccess</span></a> <a href="https://mstdn.social/tags/horror" class="mention hashtag" rel="tag">#<span>horror</span></a> <a href="https://mstdn.social/tags/horroracademia" class="mention hashtag" rel="tag">#<span>horroracademia</span></a><br /><a href="https://doi.org/10.1080/23311983.2023.2268391" target="_blank" rel="nofollow noopener" translate="no"><span class="invisible">https://</span><span class="ellipsis">doi.org/10.1080/23311983.2023.</span><span class="invisible">2268391</span></a></p>
Horror Lex®<p>Horror fans, grab your smelling salts. Barbara Creed&#39;s seminal book &quot;The Monstrous Feminine&quot; is out in a 2nd Edition &amp; now in multiple formats. Expanded w/Creed&#39;s thoughts on post-2000 films such as GINGER SNAPS, ATLANTICS, BORDER &amp; TITANE. <a href="https://mstdn.social/tags/horror" class="mention hashtag" rel="tag">#<span>horror</span></a> <a href="https://mstdn.social/tags/horrorfilms" class="mention hashtag" rel="tag">#<span>horrorfilms</span></a> <a href="https://mstdn.social/tags/horrormovies" class="mention hashtag" rel="tag">#<span>horrormovies</span></a> <a href="https://mstdn.social/tags/horroracademia" class="mention hashtag" rel="tag">#<span>horroracademia</span></a><br /><a href="https://www.routledge.com/The-Monstrous-Feminine-Film-Feminism-Psychoanalysis/Creed/p/book/9780367209452" target="_blank" rel="nofollow noopener" translate="no"><span class="invisible">https://www.</span><span class="ellipsis">routledge.com/The-Monstrous-Fe</span><span class="invisible">minine-Film-Feminism-Psychoanalysis/Creed/p/book/9780367209452</span></a></p>
Horror Lex®<p>Two more new books to cure your candy hangover: &quot;Queer Gothic,&quot; tackling everything from wolf-boyz on TV to AIDS art &amp; &quot;Transgressive Art Films,&quot; a look at today&#39;s extremes in sex and violence on screen. From Edinburgh UP. <a href="https://mstdn.social/tags/horror" class="mention hashtag" rel="tag">#<span>horror</span></a> <a href="https://mstdn.social/tags/horrorfilms" class="mention hashtag" rel="tag">#<span>horrorfilms</span></a> <a href="https://mstdn.social/tags/horrormovies" class="mention hashtag" rel="tag">#<span>horrormovies</span></a> <a href="https://mstdn.social/tags/horroracademia" class="mention hashtag" rel="tag">#<span>horroracademia</span></a><br /><a href="https://tinyurl.com/3re2ntt3" target="_blank" rel="nofollow noopener" translate="no"><span class="invisible">https://</span><span class="">tinyurl.com/3re2ntt3</span><span class="invisible"></span></a><br /><a href="https://tinyurl.com/3j6rbcrf" target="_blank" rel="nofollow noopener" translate="no"><span class="invisible">https://</span><span class="">tinyurl.com/3j6rbcrf</span><span class="invisible"></span></a></p>
Horror Lex®<p>🧛Fangs for frosh🧛 &quot;Queering the Vampire Narrative&quot; is new from Brill w/classroom-ready essays on gender, family &amp; identity in VAMP, BUFFY, THE HUNGER, TWILIGHT, Anne Rice + more. Eds Amanda Hobson &amp; U. Melissa Anyiwo. <a href="https://mstdn.social/tags/horror" class="mention hashtag" rel="tag">#<span>horror</span></a> <a href="https://mstdn.social/tags/horrorfilms" class="mention hashtag" rel="tag">#<span>horrorfilms</span></a> <a href="https://mstdn.social/tags/horrormovies" class="mention hashtag" rel="tag">#<span>horrormovies</span></a> <a href="https://mstdn.social/tags/horroracademia" class="mention hashtag" rel="tag">#<span>horroracademia</span></a> <a href="https://mstdn.social/tags/vampires" class="mention hashtag" rel="tag">#<span>vampires</span></a><br /><a href="https://brill.com/display/title/69517" target="_blank" rel="nofollow noopener" translate="no"><span class="invisible">https://</span><span class="">brill.com/display/title/69517</span><span class="invisible"></span></a></p>
Horror Lex®<p>Tod Browning&#39;s LONDON AFTER MIDNIGHT is &quot;Lost, but Not Dead.&quot; Gary D. Rhodes walks thru the history of the film&#39;s reception in the 1920s and its many reanimations, both legit and fraudulent. <a href="https://mstdn.social/tags/openaccess" class="mention hashtag" rel="tag">#<span>openaccess</span></a> in Film International. <a href="https://mstdn.social/tags/horror" class="mention hashtag" rel="tag">#<span>horror</span></a> <a href="https://mstdn.social/tags/horrorfilms" class="mention hashtag" rel="tag">#<span>horrorfilms</span></a> <a href="https://mstdn.social/tags/horrormovies" class="mention hashtag" rel="tag">#<span>horrormovies</span></a> <a href="https://mstdn.social/tags/horroracademia" class="mention hashtag" rel="tag">#<span>horroracademia</span></a><br /><a href="https://filmint.nu/london-after-midnight-gary-d-rhodes" target="_blank" rel="nofollow noopener" translate="no"><span class="invisible">https://</span><span class="ellipsis">filmint.nu/london-after-midnig</span><span class="invisible">ht-gary-d-rhodes</span></a></p>
Horror Lex®<p>CINEJ journal is all new and <a href="https://mstdn.social/tags/openaccess" class="mention hashtag" rel="tag">#<span>openaccess</span></a> with thoughts on THE HANDMAIDEN and visual pleasure, THE KILLING OF A SACRED DEER as myth adaptation, &amp; the female gaze of THE BLAIR WITCH PROJECT. Authors Javier Zapata Claveria, Poya Raissi, Morteza Ghaffari, Emily Moeck. <a href="https://mstdn.social/tags/horror" class="mention hashtag" rel="tag">#<span>horror</span></a> <a href="https://mstdn.social/tags/horrorfilms" class="mention hashtag" rel="tag">#<span>horrorfilms</span></a> <a href="https://mstdn.social/tags/horrormovies" class="mention hashtag" rel="tag">#<span>horrormovies</span></a> <a href="https://mstdn.social/tags/horroracademia" class="mention hashtag" rel="tag">#<span>horroracademia</span></a><br /><a href="https://cinej.pitt.edu/ojs/cinej/issue/view/23" target="_blank" rel="nofollow noopener" translate="no"><span class="invisible">https://</span><span class="ellipsis">cinej.pitt.edu/ojs/cinej/issue</span><span class="invisible">/view/23</span></a></p>
Horror Lex®<p>Studies in the Fantastic is dressed up for Halloween! The new issue has essays on haptics in the ANNABELLE trilogy, patriarchy in THE WITCH &amp; THE LOVE WITCH, plus reviews of Gen Z critique BODIES BODIES BODIES &amp; Lenzi&#39;s BLACK DEMONS. Access via @ProjectMuse. <a href="https://mstdn.social/tags/horror" class="mention hashtag" rel="tag">#<span>horror</span></a> <a href="https://mstdn.social/tags/horrorfilms" class="mention hashtag" rel="tag">#<span>horrorfilms</span></a> <a href="https://mstdn.social/tags/horrormovies" class="mention hashtag" rel="tag">#<span>horrormovies</span></a> <a href="https://mstdn.social/tags/horroracademia" class="mention hashtag" rel="tag">#<span>horroracademia</span></a><br /><a href="https://muse.jhu.edu/issue/51732" target="_blank" rel="nofollow noopener" translate="no"><span class="invisible">https://</span><span class="">muse.jhu.edu/issue/51732</span><span class="invisible"></span></a></p>
Horror Lex®<p>The new Science Fiction Film &amp; Television issue has essays on the kaiju-human connection in SHIN GODZILLA (2016) and the feminist liberation, or lack thereof, in MEDUSA (2020). Timothy S. Murphy, Phillip Zapkin, access via <a href="https://mstdn.social/tags/ProjectMuse" class="mention hashtag" rel="tag">#<span>ProjectMuse</span></a>. <a href="https://mstdn.social/tags/horror" class="mention hashtag" rel="tag">#<span>horror</span></a> <a href="https://mstdn.social/tags/horrorfilms" class="mention hashtag" rel="tag">#<span>horrorfilms</span></a> <a href="https://mstdn.social/tags/horrormovies" class="mention hashtag" rel="tag">#<span>horrormovies</span></a> <a href="https://mstdn.social/tags/horroracademia" class="mention hashtag" rel="tag">#<span>horroracademia</span></a> <a href="https://mstdn.social/tags/kaiju" class="mention hashtag" rel="tag">#<span>kaiju</span></a> <a href="https://mstdn.social/tags/godzilla" class="mention hashtag" rel="tag">#<span>godzilla</span></a><br /><a href="https://www.liverpooluniversitypress.co.uk/toc/sfftv/16/3" target="_blank" rel="nofollow noopener" translate="no"><span class="invisible">https://www.</span><span class="ellipsis">liverpooluniversitypress.co.uk</span><span class="invisible">/toc/sfftv/16/3</span></a></p>
Horror Lex®<p>&quot;For us to have our privilege someone suffers.&quot; Jonathan D. Lyonhart looks at what Jordan Peele has to say about a higher power &amp; our moral duties to each other in US, NOPE, &amp; GET OUT. <a href="https://mstdn.social/tags/openaccess" class="mention hashtag" rel="tag">#<span>openaccess</span></a> from Journal of Religion &amp; Film. <a href="https://mstdn.social/tags/horror" class="mention hashtag" rel="tag">#<span>horror</span></a> <a href="https://mstdn.social/tags/horrorfilms" class="mention hashtag" rel="tag">#<span>horrorfilms</span></a> <a href="https://mstdn.social/tags/horrormovies" class="mention hashtag" rel="tag">#<span>horrormovies</span></a> <a href="https://mstdn.social/tags/horroracademia" class="mention hashtag" rel="tag">#<span>horroracademia</span></a> <a href="https://mstdn.social/tags/jordanpeele" class="mention hashtag" rel="tag">#<span>jordanpeele</span></a><br /><a href="https://digitalcommons.unomaha.edu/jrf/vol27/iss2/1/" target="_blank" rel="nofollow noopener" translate="no"><span class="invisible">https://</span><span class="ellipsis">digitalcommons.unomaha.edu/jrf</span><span class="invisible">/vol27/iss2/1/</span></a></p>
Horror Lex®<p>Movie: A Journal of Film Criticism is building Issue #11 with Milo Farragher-Hanks on power shifts in AUDITION and MIDSOMMAR + an audiovisual essay from John Gibbs on the geography of CANDYMAN (1992/2021). <a href="https://mstdn.social/tags/OpenAccess" class="mention hashtag" rel="tag">#<span>OpenAccess</span></a> <a href="https://mstdn.social/tags/horror" class="mention hashtag" rel="tag">#<span>horror</span></a> <a href="https://mstdn.social/tags/horrorfilms" class="mention hashtag" rel="tag">#<span>horrorfilms</span></a> <a href="https://mstdn.social/tags/horrormovies" class="mention hashtag" rel="tag">#<span>horrormovies</span></a> <a href="https://mstdn.social/tags/horroracademia" class="mention hashtag" rel="tag">#<span>horroracademia</span></a><br /><a href="https://warwick.ac.uk/fac/arts/scapvc/film/movie/" target="_blank" rel="nofollow noopener" translate="no"><span class="invisible">https://</span><span class="ellipsis">warwick.ac.uk/fac/arts/scapvc/</span><span class="invisible">film/movie/</span></a></p>
Horror Lex®<p>Who&#39;s that lurking around the edges? &quot;Playful Frames: Styles of Widescreen Cinema&quot; is new from Steven Rybin and Rutgers UP w/a chapter on John Carpenter&#39;s (and Dean Cundy&#39;s) Panavision-vision in HALLOWEEN, THE THING, and other big screen horrors. <a href="https://mstdn.social/tags/horror" class="mention hashtag" rel="tag">#<span>horror</span></a> <a href="https://mstdn.social/tags/horrorfilms" class="mention hashtag" rel="tag">#<span>horrorfilms</span></a> <a href="https://mstdn.social/tags/horrormovies" class="mention hashtag" rel="tag">#<span>horrormovies</span></a> <a href="https://mstdn.social/tags/horroracademia" class="mention hashtag" rel="tag">#<span>horroracademia</span></a><br /><a href="https://www.rutgersuniversitypress.org/playful-frames/9781978815940" target="_blank" rel="nofollow noopener" translate="no"><span class="invisible">https://www.</span><span class="ellipsis">rutgersuniversitypress.org/pla</span><span class="invisible">yful-frames/9781978815940</span></a></p>
Horror Lex®<p>&quot;All bodies are sound bodies.&quot; &quot;Listening Deafly &amp; the Rhetoric of Sound&quot; tackles Deaf culture as it relates to the world of voice, silence, and noise via discussion of three films, incl. A QUIET PLACE (2018). By Sarah Mayberry Scott, now out from Lexington Books. <a href="https://mstdn.social/tags/horror" class="mention hashtag" rel="tag">#<span>horror</span></a> <a href="https://mstdn.social/tags/horrorfilms" class="mention hashtag" rel="tag">#<span>horrorfilms</span></a> <a href="https://mstdn.social/tags/horrormovies" class="mention hashtag" rel="tag">#<span>horrormovies</span></a> <a href="https://mstdn.social/tags/horroracademia" class="mention hashtag" rel="tag">#<span>horroracademia</span></a><br /><a href="https://rowman.com/ISBN/9781666911992/Listening-Deafly-and-the-Rhetoric-of-Sound-Voice-Silence-and-Listening-in-Hollywood-Films" target="_blank" rel="nofollow noopener" translate="no"><span class="invisible">https://</span><span class="ellipsis">rowman.com/ISBN/9781666911992/</span><span class="invisible">Listening-Deafly-and-the-Rhetoric-of-Sound-Voice-Silence-and-Listening-in-Hollywood-Films</span></a></p>
Horror Lex®<p>The blog awakens! Today we celebrate <span class="h-card" translate="no"><a href="https://mastodon.archive.org/@internetarchive" class="u-url mention">@<span>internetarchive</span></a></span> &amp; its importance to researchers. Did you know there are 37 books of nonfiction, horror-film goodness that can be downloaded, not just borrowed, from the IA? We give you the links, go get ‘em! <a href="https://mstdn.social/tags/horror" class="mention hashtag" rel="tag">#<span>horror</span></a> <a href="https://mstdn.social/tags/horroracademia" class="mention hashtag" rel="tag">#<span>horroracademia</span></a><br /><a href="https://horrorlex.com/blog/free-horror-film-books-for-how-long" target="_blank" rel="nofollow noopener" translate="no"><span class="invisible">https://</span><span class="ellipsis">horrorlex.com/blog/free-horror</span><span class="invisible">-film-books-for-how-long</span></a></p>
Horror Lex®<p>If you&#39;ve seen THE PERFECTION (2018), &quot;dehumanization&quot; is definitely a word that comes to mind. <span class="h-card" translate="no"><a href="https://creators.social/@fermion91" class="u-url mention">@<span>fermion91</span></a></span> exposes the monstrousness of classical music in that film as well as NOCTURNE (2020) in a new <a href="https://mstdn.social/tags/OpenAccess" class="mention hashtag" rel="tag">#<span>OpenAccess</span></a> piece in journal El oído pensante. <a href="https://mstdn.social/tags/horror" class="mention hashtag" rel="tag">#<span>horror</span></a> <a href="https://mstdn.social/tags/horrorfilms" class="mention hashtag" rel="tag">#<span>horrorfilms</span></a> <a href="https://mstdn.social/tags/horrormovies" class="mention hashtag" rel="tag">#<span>horrormovies</span></a> <a href="https://mstdn.social/tags/horroracademia" class="mention hashtag" rel="tag">#<span>horroracademia</span></a><br /><a href="https://doi.org/10.34096/oidopensante.v11n2.13331" target="_blank" rel="nofollow noopener" translate="no"><span class="invisible">https://</span><span class="ellipsis">doi.org/10.34096/oidopensante.</span><span class="invisible">v11n2.13331</span></a></p>
Horror Lex®<p>A famous Jewish play, and a &quot;harbinger of exile and oblivion.&quot; &quot;The Dybbuk Century&quot; is <a href="https://mstdn.social/tags/OpenAccess" class="mention hashtag" rel="tag">#<span>OpenAccess</span></a> from U Michigan Press w/a chapter from J Hoberman on dybbuk horror-drama films from THE VOW (1924) to DEMON (2015). Eds. Debra Caplan &amp; Rachel Merrill Moss. <a href="https://mstdn.social/tags/horror" class="mention hashtag" rel="tag">#<span>horror</span></a> <a href="https://mstdn.social/tags/horrorfilms" class="mention hashtag" rel="tag">#<span>horrorfilms</span></a> <a href="https://mstdn.social/tags/horrormovies" class="mention hashtag" rel="tag">#<span>horrormovies</span></a> <a href="https://mstdn.social/tags/horroracademia" class="mention hashtag" rel="tag">#<span>horroracademia</span></a><br /><a href="https://doi.org/10.3998/mpub.11522250" target="_blank" rel="nofollow noopener" translate="no"><span class="invisible">https://</span><span class="">doi.org/10.3998/mpub.11522250</span><span class="invisible"></span></a></p>
Horror Lex®<p>Can you hear Mother&#39;s bell ringing? Indonesian researchers have analyzed diegetic and non-diegetic sounds in Joko Anwar&#39;s 2017 unnerving remake of SATAN&#39;S SLAVES to find out what we hear and how it makes us feel. <a href="https://mstdn.social/tags/OpenAccess" class="mention hashtag" rel="tag">#<span>OpenAccess</span></a> from ProTVF Journal. <a href="https://mstdn.social/tags/horror" class="mention hashtag" rel="tag">#<span>horror</span></a> <a href="https://mstdn.social/tags/horrorfilms" class="mention hashtag" rel="tag">#<span>horrorfilms</span></a> <a href="https://mstdn.social/tags/horrormovies" class="mention hashtag" rel="tag">#<span>horrormovies</span></a> <a href="https://mstdn.social/tags/horroracademia" class="mention hashtag" rel="tag">#<span>horroracademia</span></a><br /><a href="https://doi.org/10.24198/ptvf.v7i2.47281" target="_blank" rel="nofollow noopener" translate="no"><span class="invisible">https://</span><span class="ellipsis">doi.org/10.24198/ptvf.v7i2.472</span><span class="invisible">81</span></a></p>
Horror Lex®<p>A stealth-publishing we almost missed: &quot;Contemporary Horror on Screen&quot; puts the grim 2010s in perspective with dark pop culture like IT, HEREDITARY, PULSE, MOTHER!, READY OR NOT. From Springer. <a href="https://mstdn.social/tags/horror" class="mention hashtag" rel="tag">#<span>horror</span></a> <a href="https://mstdn.social/tags/horrorfilms" class="mention hashtag" rel="tag">#<span>horrorfilms</span></a> <a href="https://mstdn.social/tags/horrormovies" class="mention hashtag" rel="tag">#<span>horrormovies</span></a> <a href="https://mstdn.social/tags/horroracademia" class="mention hashtag" rel="tag">#<span>horroracademia</span></a><br /><a href="https://doi.org/10.1007/978-981-99-4965-6" target="_blank" rel="nofollow noopener" translate="no"><span class="invisible">https://</span><span class="ellipsis">doi.org/10.1007/978-981-99-496</span><span class="invisible">5-6</span></a></p>
Horror Lex®<p>Surprise free book! With essays on horror, bodies, space &amp; tactility in LA ABUELA, GET OUT, William Castle gimmicks, videogame cinema &amp; more. &quot;Unusual Shapes, Fantasy &amp; Horror&quot; is <a href="https://mstdn.social/tags/OpenAccess" class="mention hashtag" rel="tag">#<span>OpenAccess</span></a> from Universidad de Salamanca. <a href="https://mstdn.social/tags/horror" class="mention hashtag" rel="tag">#<span>horror</span></a> <a href="https://mstdn.social/tags/horrorfilms" class="mention hashtag" rel="tag">#<span>horrorfilms</span></a> <a href="https://mstdn.social/tags/horrormovies" class="mention hashtag" rel="tag">#<span>horrormovies</span></a> <a href="https://mstdn.social/tags/horroracademia" class="mention hashtag" rel="tag">#<span>horroracademia</span></a><br /><a href="https://doi.org/10.14201/0AQ0352" target="_blank" rel="nofollow noopener" translate="no"><span class="invisible">https://</span><span class="">doi.org/10.14201/0AQ0352</span><span class="invisible"></span></a></p>
Horror Lex®<p>Two new tomes about eerie landscapes &amp; buried things that should stay buried: &quot;The Routledge Companion to Folk Horror&quot; eds Robert Edgar and Wayne Johnson from Routledge &amp; &quot;Folk Horror on Film&quot; eds Kevin Donnelly and Louis Bayman from Manchester University Press. <a href="https://mstdn.social/tags/horror" class="mention hashtag" rel="tag">#<span>horror</span></a> <a href="https://mstdn.social/tags/folkhorror" class="mention hashtag" rel="tag">#<span>folkhorror</span></a> <a href="https://mstdn.social/tags/horrorfilms" class="mention hashtag" rel="tag">#<span>horrorfilms</span></a> <a href="https://mstdn.social/tags/horrormovies" class="mention hashtag" rel="tag">#<span>horrormovies</span></a> <a href="https://mstdn.social/tags/horroracademia" class="mention hashtag" rel="tag">#<span>horroracademia</span></a><br /><a href="https://tinyurl.com/2c25zxbk" target="_blank" rel="nofollow noopener" translate="no"><span class="invisible">https://</span><span class="">tinyurl.com/2c25zxbk</span><span class="invisible"></span></a><br /><a href="https://tinyurl.com/3nnaksrz" target="_blank" rel="nofollow noopener" translate="no"><span class="invisible">https://</span><span class="">tinyurl.com/3nnaksrz</span><span class="invisible"></span></a></p>
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