Angry Metal Guy<p><a href="https://www.angrymetalguy.com/meatwound-macho-review/" rel="nofollow noopener noreferrer" target="_blank">Meatwound – Macho Review</a></p><p><i>By Tyme</i></p><p><span>I was shocked when my helmet light sputtered out while spelunking some of the sump pit’s darker, less-traveled caverns recently. As I waited for my eyes to adjust to the gloom, I noticed something bright and pink glimmering in a recess of mossy rock. That ‘something’ was </span><em><span>Macho</span></em><span>, the fourth album from Tampa, Florida’s hardcore sludge noise-mongers </span><strong><span>Meatwound, </span></strong><span>and I used its luminescent shimmer to help guide me back to headquarters. Outside of the great band name and cover art giving me strong Warhol meets </span><strong><span>Boris</span></strong><span> vibes, I wasn’t familiar with </span><strong><span>Meatwound </span></strong><span>and their wares, so I researched. I read a few interviews, dug into the back catalog, and worked my way up from </span><strong><span>Meatwound</span></strong><span>‘s 2015 debut, </span><em><span>Addio</span></em><span>, to 2017’s </span><em><span>Largo</span></em><span> and then 2019’s </span><em><span>Culero</span></em><span>, replete with cool Vincent Locke cover art. I learned that </span><strong><span>Meatwound</span></strong><span>, aside from churning through drummers like </span><strong><span>Spinal Tap</span></strong><span>,<a href="https://www.angrymetalguy.com/meatwound-macho-review/#fn-216390-1" rel="nofollow noopener noreferrer" target="_blank">1</a> like to expand their sound on each release without betraying their roots. I sat down, explorations complete, to give </span><em><span>Macho</span></em><span> a spin, wondering what wrinkle of the </span><strong><span>Meatwound</span></strong><span> sound had evolved this time. </span></p><p><strong><span>Meatwound</span></strong><span> generally plays a form of hardcore-tinged, boisterously dissonant noise-rock that, on </span><em><span>Macho</span></em><span> specifically, is combined with some electronic industrialism. Once best described as a mix of </span><strong><span>The Jesus Lizard</span></strong><span> and </span><a href="https://www.angrymetalguy.com/sepultura-quadra-review/" rel="nofollow noopener noreferrer" target="_blank"><strong><span>Sepultura</span></strong></a><span>, </span><strong><span>Meatwound</span></strong><span> themselves aren’t sure </span><em><span>what</span></em><span> they sound like these days and are content, even amused, to hear what bands the critics and fans compare them to. For my money, think what a collaboration between </span><strong><span>Unsane</span></strong><span>, </span><a href="https://www.angrymetalguy.com/stuck-in-the-filter-april-2024s-angry-misses/" rel="nofollow noopener noreferrer" target="_blank"><strong><span>Whores.</span></strong></a><span>, and </span><a href="https://www.angrymetalguy.com/godflesh-purge-review/" rel="nofollow noopener noreferrer" target="_blank"><strong><span>Godflesh</span></strong></a><span> might sound like, and you’d be in the ballpark here. The core of </span><strong><span>Meatwound</span></strong><span>‘s sound remains rooted in Mariano Iglesias’ driving, punky bass lines coalescing with the dissonantly noisy chords and riffs of Ari Barros’ garage-band-on-GHB guitar work, and there’s plenty of both on </span><em><span>Macho</span></em><span> (“Mount Vermin,” “Europa”). But there are also pulse-pounding synth beats, percussive samples, and some power electronics (“Barking Dogs As Plot Device”) at play that, when added to the mighty, hardcore-esque roars of Daniel Wallace and the steady-handed pounding of new drummer Dimitri Stoyanov, make it tough to beat </span><strong><span>Meatwound</span></strong><span> for blunt-force trauma. Interestingly, the hybrid tracks on </span><em><span>Macho</span></em><span>, molding the old ways with the new approach, are most compelling.</span></p><p></p><p><span>Building off </span><em><span>Culero</span></em><span>‘s experimental track “Elders,” </span><em><span>Macho</span></em><span>‘s expansion into the industrial reflects a </span><strong><span>Meatwound</span></strong><span> that’s doing what </span><em><span>they </span></em><span>want, listeners be damned. Album opener “Compressed Hell” introduces us to </span><strong><span>Meatwound</span></strong><span>‘s hybrid experiment right out of the gate, as it builds off of pulsing synths with layers of stick-snapping tom beats and Dan’s screaming snarls before transitioning into full </span><strong><span>Meatwound</span></strong><span> mode, a cacophonous swirl of noisy riffs, drums, and punchy bass. Similarly constructed and even more effective is the album highlight “Frank Stallone.” A most </span><strong><span>Godflesh</span></strong><span>ic track that starts with deeply ominous synth tones, delicately percussive samples, and Dan’s aggressive, vacuous shouts before blowing up like a trailer park meth lab in explosions of beasty bass, swirling dissonance, and dentist-drill guitar shrieks; a perfect example of how </span><strong><span>Meatwound</span></strong><span> can successfully mix the two elements like mad chemists, yet not all the elixirs worked. </span></p><p><span></span></p><p>Two and a half minutes of <em><span>Macho</span></em><span>‘s preciously short thirty-three-minute runtime don’t land, tipping the experimental scales too far. “Barking Dog As Plot Device” is two minutes of a statically constant, power-industrial noise tone accentuated with periodic, heartbeat-like, bassy synth beats underneath Dan’s wailing hardcore shouts. The track seemed out of place and distracting but not as off-putting or momentum-disrupting as the thirty-one-second “Chunk”<a href="https://www.angrymetalguy.com/meatwound-macho-review/#fn-216390-2" rel="nofollow noopener noreferrer" target="_blank">2</a> which, as far as I can tell, is either some random field recording or otherwise meaningless electronically created bit. Produced by Ryan Boesch, who also owns and operates freshly launched label partner Threat Collection Records, </span><em><span>Macho</span></em><span> is loud. However, the mix and master fits </span><strong><span>Meatwound</span></strong><span>‘s style and harnesses their chaotic energy effectively. </span></p><p><span>Made up of former members of acts like </span><strong><span>Combatwoundedveteran</span></strong><span>, </span><strong><span>The Holy Mountain</span></strong><span>, and </span><strong><span>Headless Dogs</span></strong><span>, </span><strong><span>Meatwound</span></strong><span> has spent the better part of a decade carving their niche into the metalverse. By and large, and in exponential fashion, they’ve succeeded. With no real expectations, I was pleasantly surprised by </span><strong><span>Meatwound</span></strong>’s<span> </span><em><span>Macho</span></em><span>, and aside from a couple of minor missteps, it works. It’s worth a listen, and, if nothing else, </span><em><span>Macho</span></em><span>‘s hot-pink aesthetic might help guide you out of any unexpected darkness you might find yourself in. </span></p> <p><strong>Rating</strong>: 3.0/5.0<br><strong>DR</strong>: 6 | <strong>Format Reviewed</strong>: 320kbps mp3<br><strong>Label</strong>: <a href="https://threatcollection.com/" rel="nofollow noopener noreferrer" target="_blank">Threat Collection Records</a><br><strong>Websites</strong>: <a href="https://meatwound.bandcamp.com/album/macho" rel="nofollow noopener noreferrer" target="_blank">Bandcamp</a> | <a href="https://meatwound.com/" rel="nofollow noopener noreferrer" target="_blank">Meatwound.com</a><br><strong>Releases Worldwide</strong>: May 9th, 2025</p><p><a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/2025/" target="_blank">#2025</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/30/" target="_blank">#30</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/american-metal/" target="_blank">#AmericanMetal</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/godflesh/" target="_blank">#Godflesh</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/hardcore/" target="_blank">#Hardcore</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/industrial/" target="_blank">#Industrial</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/macho/" target="_blank">#Macho</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/may25/" target="_blank">#May25</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/meatwound/" target="_blank">#Meatwound</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/noise-rock/" target="_blank">#NoiseRock</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/review/" target="_blank">#Review</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/threat-collection-records/" target="_blank">#ThreatCollectionRecords</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/unsane/" target="_blank">#Unsane</a> <a rel="nofollow noopener noreferrer" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/whores/" target="_blank">#Whores_</a></p>