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Angry Metal Guy<p><a href="https://www.angrymetalguy.com/istapp-sol-ter-sortna-review/" rel="nofollow noopener" target="_blank">Istapp – Sól Tér Sortna Review</a></p><p><i>By Doom_et_Al</i></p><p>Not many bands can claim to have a 4.5 from <span><strong>AMG Himself</strong></span> and a 4.0 from notorious curmudgeon, <span><strong>Grier</strong></span>. Yet that is exactly what Swedish black metal band, <strong>Istapp</strong> (Icicle) managed to achieve with debut album, <em>Blekinge</em>, and third album, <em>The Insidious Star</em>, respectively. Yet despite these glowing endorsements, <strong>Istapp</strong> remained on the periphery of the metal scene since their inception in 2005. Maybe it’s the long turnaround time between albums (4 in 20 years), or perhaps it’s the constantly shifting band line-up. Whatever the reason,<strong> Istapp</strong> remained relatively obscure, producing albums that people like, but that don’t make any dents in end-of-year lists. Now they’re back after a 6-year gap, with (surprise!) a new lineup and a new album, <em>Sól Tér Sortna </em>(The Sun Turns Dark). Are they about to add a <span><strong>Doom</strong></span> 4.0 to their accolades?</p><p>Pretty much the only constant in <strong>Istapp</strong> is founder, songwriter, and vocalist-turned-drummer, Fjalar. And when the opening notes of “Under Jökelisen” begin, you’ll know this is a classic <strong>Istapp</strong> album, through and through. Melodic chords married to furious blast beats in a way that is both compelling and accessible (by black metal standards). But it’s when the clean vocals hit that the true power of <strong>Istapp </strong>shines – the ability to incorporate more accessible elements without compromising their core ethos. <strong>Istapp</strong> manage to sound like a cool mix of <strong>Borknagar</strong>, <strong>Immortal</strong>, and <strong>Svavelvinter</strong>, without ever treading onto “derivative” territory. If this description of <em>Sól Tér Sortna </em>sounds eerily familiar to previous albums, that’s because <strong>Istapp</strong> maintain the clear, distinctive sound that they’ve perfected since 2005.</p><p> </p><p>And yet, for some reason, <em>Sól Tér Sortna </em>just doesn’t hit as hard as those previous albums. And I’ve spent a week trying to puzzle out why. Certainly, when a sound remains unchanged for this long, we start entering “diminishing returns” territory. <strong>Istapp</strong> are playing it <em>very </em>safe with their aesthetic, and when you become familiar with it, it all starts to blur together. This isn’t helped by the fact that this collection lacks a real banger; something that grabs you by the short and curlys and says, “Listen! This is more interesting than that random chore you are doing!” When the band does try something new, like the introduction of female vocals on “Rägnarok,” it works fantastically, making you wish they had taken a few more risks. The songs on <em>Sól Tér Sortna </em>are consistently very good, but rarely great.</p><p></p><p>The production, as consistent as it is, also sounds weirdly thin. It’s hard to explain, but there’s a chonkiness missing from the guitars. This anemic mix leeches the album of some of its power. <strong>Istapp </strong>always flourished by relying on those “big” moments in their material; the flattened range makes everything sound a bit tinny and flat. For comparison, I went back to early <strong>Immortal</strong>, and while the production in those days was clearly inferior, there is real oomph behind the guitars. Even <em>The Insidious Star</em> sounded better balanced. I’m not certain if this production was intentional or not, but it doesn’t help the music.</p><p><em>Sól Tér Sortna </em>is an album I really wanted to love, but although its catchy melodies and solid songwriting initially seduced me, I could never firmly commit. It’s a collection that, although never difficult to listen to, is <em>missing</em> something. This is speculation, but perhaps the constant lineup shifts have prevented Fjalar from evolving his brand. Perhaps this is simply the AMG “Law of Diminishing Returns” proving itself again as a band enters its third decade. Or maybe I expected too much from a band that has given us plenty to cheer about in the past. Regardless, <em>Sól Tér </em>Sortna, while rock-solid, simply doesn’t hit like other <strong>Istapp</strong> material. As a result, it eludes the unqualified <span><strong>Doom</strong></span> stamp of approval.</p> <p><strong>Rating:</strong> 3.0/5.0<br><strong>DR:</strong> 7 | <strong>Format Reviewed:</strong> 320 kbps mp3<br><strong>Label:</strong> <a href="http://trollzorn.de/en/" rel="nofollow noopener" target="_blank">trollzorn.de/en</a><br><strong>Websites: </strong><a href="http://istappofficial.bandcamp.com" rel="nofollow noopener" target="_blank">istappofficial.bandcamp.com</a> | <a href="http://facebook.com/IstappOfficial/" rel="nofollow noopener" target="_blank">facebook.com/IstappOfficial</a><br><strong>Releases Worldwide:</strong> March 6th, 2025</p><p><a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/2025/" target="_blank">#2025</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/30/" target="_blank">#30</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/black-metal/" target="_blank">#BlackMetal</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/borknagar/" target="_blank">#Borknagar</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/immortal/" target="_blank">#Immortal</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/istapp/" target="_blank">#Istapp</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/mar25/" target="_blank">#Mar25</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/review/" target="_blank">#Review</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/reviews/" target="_blank">#Reviews</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/swedish-metal/" target="_blank">#SwedishMetal</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/trollzorn-records/" target="_blank">#TrollzornRecords</a></p>
Angry Metal Guy<p><a href="https://www.angrymetalguy.com/bergthron-neu-asen-land-review/" rel="nofollow noopener" target="_blank">Bergthron – Neu Asen Land Review</a></p><p><i>By Killjoy</i></p><p>Some people just can’t be rushed. <em>Neu Asen Land</em> is the first sign of life from the German atmospheric/progressive black metal band <strong>Bergthron</strong> since 2010. That’s a 15-year hiatus lasting almost the entire time that our beloved blog has been in operation! The exact identities of the band members have historically been difficult to ascertain,<a href="https://www.angrymetalguy.com/bergthron-neu-asen-land-review/#fn-209344-1" rel="nofollow noopener" target="_blank">1</a> but the promotional material describes them as explorers who used this time for expeditions to remote forests and the Arctic Circle. Talk about a sabbatical! Given all of this, I expect I’m far from the only one who hadn’t heard of <strong>Bergthron</strong> before now. However, when even an unfamiliar group survives such a long break it bakes a certain level of interest into the new offering. After all, why break the silence after all this time without something worth saying?</p><p><em>Neu Asen Land</em>’s most striking quality is how it manages to be both rugged and refined. This is evident from the intro “Skandinavische Expansion” which features a medley of gruff chants and growls on top of subdued piano keys. The vocals are a many-headed beast, with at least two members working together at any given time to produce rough shouts and sonorous cleans. <strong>Bergthron</strong> abandoned the darker, more industrial feel of 2010’s <em>EXP. Autarktis</em> somewhere along the way in favor of an eclectic blend of <strong>Sólstafir</strong>’s free-spirited rock, <strong>Borknagar</strong>’s brisk progressive black metal, and <strong>Havukruunu</strong>’s raw verve. They eschew many of the modern editing conventions, resulting in a more natural, unfiltered sound. Despite the lengthy hiatus, there’s no doubt that these guys are still comfortable playing together.</p><p><strong>Bergthron</strong> make it abundantly clear that they write and perform solely on their own terms. The drumming is energetic, with rapid-fire double kick and long, indulgent fills (“Aufbruch nach Neu Asen Land,” “Gefangene der Polarnacht”). The bass lines in songs such as “SOG” and “Horizont in Flammen” are distinct and intricate, on par with those of the guitar. Like the weather, the musical conditions can drastically change without notice. <strong>Bergthron</strong> often slow down and let their prog rock roam free; much of “Gefangene der Polarnacht” in particular sounds akin to a blackened <strong>Rush</strong>. They play with temperature contrasts by placing balmy guitar melodies alongside shimmering wintery synths, which gives <em>Neu Asen Land</em> the feel of a sunny, snowy day. These atypical song structures might be jarring to some, but I find them charming overall.</p><p><em>Neu Asen Land</em>’s biggest shortcoming is there isn’t quite enough of it to go around. At 32 minutes, there is zero bloat–exactly what one might expect of lean outdoorsmen. Of course, this isn’t a problem on its own, but every minute is even more important when there are less of them to spare, and this is why the concluding track “Skaldenruhm erstarrt in Zeit” falls so flat. It’s not a bad song, but it begins with eerie synths and ends with weak meandering, closing the album with a whimper in stark contrast with the vibrancy that came before. If <strong>Bergthron</strong> hadn’t let their blazing campfire die a bit too early, <em>Neu Asen Land</em> would likely be knocking on the door of greatness.</p><p>While I wasn’t able to send <strong>Bergthron</strong> off, <em>Neu Asen Land</em> is of such quality that I’m happy to welcome them back. They are clearly a well-traveled group of individuals and this is reflected in every fiber of their comeback album. While undeniably lacking polish, it possesses a handcrafted charm that I’m unlikely to experience again anytime soon. I can recommend this for those who like their black metal lively and unpredictable. If one of your New Year’s resolutions is to discover more good music in 2025, <em>Neu Asen Land</em> stands ready to help start the year strong.</p><p></p> <p><strong>Rating</strong>: 3.5/5.0<br><strong>DR:</strong> 8 | <strong>Format Reviewed:</strong> 320 kbps mp3<br><strong>Label:</strong> <a href="https://www.trollzorn.de/de/" rel="nofollow noopener" target="_blank">Trollzorn Records</a><br><strong>Websites:</strong> <a href="https://bergthron.bandcamp.com/" rel="nofollow noopener" target="_blank">bergthron.bandcamp.com</a> | <a href="https://www.bergthron.de/" rel="nofollow noopener" target="_blank">bergthron.de</a><br><strong>Releases Worldwide:</strong> January 6th, 2025</p><p><a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/2025/" target="_blank">#2025</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/35/" target="_blank">#35</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/bergthron/" target="_blank">#Bergthron</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/black-metal/" target="_blank">#BlackMetal</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/borknagar/" target="_blank">#Borknagar</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/german-metal/" target="_blank">#GermanMetal</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/havukruunu/" target="_blank">#Havukruunu</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/jan25/" target="_blank">#Jan25</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/neu-asen-land/" target="_blank">#NeuAsenLand</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/progressive-metal/" target="_blank">#ProgressiveMetal</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/progressive-rock/" target="_blank">#ProgressiveRock</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/review/" target="_blank">#Review</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/reviews/" target="_blank">#Reviews</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/rush/" target="_blank">#Rush</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/solstafir/" target="_blank">#Solstafir</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/trollzorn-records/" target="_blank">#TrollzornRecords</a></p>