Márcio 💩 :verified:<p>I recall vividly how I started to listen to <a href="https://mstdn.social/tags/Ryuichi" class="mention hashtag" rel="tag">#<span>Ryuichi</span></a>&#39;s works, during a moment of <a href="https://mstdn.social/tags/musical" class="mention hashtag" rel="tag">#<span>musical</span></a> <a href="https://mstdn.social/tags/discovery" class="mention hashtag" rel="tag">#<span>discovery</span></a> in my late university years. Around 2008 I saw <a href="https://mstdn.social/tags/Tony" class="mention hashtag" rel="tag">#<span>Tony</span></a> <a href="https://mstdn.social/tags/Takitani" class="mention hashtag" rel="tag">#<span>Takitani</span></a>, an arresting film with a matching <a href="https://mstdn.social/tags/soundtrack" class="mention hashtag" rel="tag">#<span>soundtrack</span></a>. I was going through a break up and the lone journey led me to the likes of Jazzanova, Nujabes and Robert Glasper alongside Takitani&#39;s <a href="https://mstdn.social/tags/OST" class="mention hashtag" rel="tag">#<span>OST</span></a>. </p><p>I have a ear for all sorts of <a href="https://mstdn.social/tags/music" class="mention hashtag" rel="tag">#<span>music</span></a> and ended up finding <a href="https://mstdn.social/tags/Sakamoto" class="mention hashtag" rel="tag">#<span>Sakamoto</span></a>&#39;s eclecticism much to my liking, till this day. <a href="https://mstdn.social/tags/RIP" class="mention hashtag" rel="tag">#<span>RIP</span></a> <br /><a href="https://www.theguardian.com/music/2023/apr/03/ryuichi-sakamoto-obituary" target="_blank" rel="nofollow noopener noreferrer" translate="no"><span class="invisible">https://www.</span><span class="ellipsis">theguardian.com/music/2023/apr</span><span class="invisible">/03/ryuichi-sakamoto-obituary</span></a></p>