#Biomass ist im All, seine Signale werden empfangen.
Recent searches
Search options
Administered by:
#Raumfahrt
36 posts27 participants10 posts today
Erst Schimpfe, dann Sorry: Sängerin Lily Allen steht zu Ihrer Kritik am Blue-Origin-Weltraumflug mit Promi-Crew. Zu ihrer Kollegin Katy Perry hingegen sei sie zu gemein gewesen. Aus sehr persönlichen Gründen.#KatyPerry #Personalien #Raumfahrt #LilyAllen #Musik
Kritik an Weltraum-Trip: Lily Allen entschuldigt sich bei Katy Perry
Kritik an Weltraum-Trip: Lily Allen entschuldigt sich bei Katy Perry
DER SPIEGEL · Kritik an Weltraumtrip: Lily Allen entschuldigt sich bei Katy Perry
Start von #Biomass auf der #VegaC mit der Flugnummer #VV26 jetzt im Stream:
https://www.arianespace.com/road-to-space/
https://youtu.be/EEhmFO_Y_WE
https://www.youtube.com/watch?v=EEhmFO_Y_WE
ArianespaceRoad to Space - Arianespace
SPACE HEROINES (How to kick ass in space or The bias of AI)
12/13
Series of female super heroines who maintain law and order in the universe and fight against space debris. The work is conceived as a commentary on male-dominated space travel and of male-determined self-conceptions of space conquest. It was created in the context of an artist residency at European Space Agency (ESA/ESOC) in Darmstadt that Güntzel held in 2022. The works were generated using the open source DALL.E 2 AI from descriptions in natural language. Since then, Güntzel has continued to further develop the work, which simultaneously questions the biased practice of AI in which “heroines” are standardized as white, young, slender, mostly blond, scantily clad, over-sexualized women. More inclusive and diverse images emerged only when prompts explicitly contradicted these norms. Even then, the AI often failed to produce a more inclusive image or the results are so impaired that they are unusable (images that lacked colour, figures without faces, etc.). The series is more relevant than ever after Trump instructed NASA “‘to drop everything’ to scrub public sites of mentioning of DEI, indigenous people, environmental justice, and women in leadership” -> https://www.404media.co/nasa-dei-drop-everything-executive-order/
[Swaantje Güntzel, Space Heroines / Heroine defending space against villains and space debris, 2022/23, Series]
#art #conceptualart #contemporaryart #kunst #konzeptkunst #zeitgenössischekunst #serie #series #spaceheroine #space #spacedebris #orbitaldebris #heroines #esa #nasa #weltraum #raumfahrt #comic #ai #ki #dalle2 #bias #inklusion #sexism #sexismus #inclusion #superheldin #superheroine #swaantjeguentzel #swaantjegüntzel #pixelfedart #womensart #womenartists #spacetravel
12/13
Series of female super heroines who maintain law and order in the universe and fight against space debris. The work is conceived as a commentary on male-dominated space travel and of male-determined self-conceptions of space conquest. It was created in the context of an artist residency at European Space Agency (ESA/ESOC) in Darmstadt that Güntzel held in 2022. The works were generated using the open source DALL.E 2 AI from descriptions in natural language. Since then, Güntzel has continued to further develop the work, which simultaneously questions the biased practice of AI in which “heroines” are standardized as white, young, slender, mostly blond, scantily clad, over-sexualized women. More inclusive and diverse images emerged only when prompts explicitly contradicted these norms. Even then, the AI often failed to produce a more inclusive image or the results are so impaired that they are unusable (images that lacked colour, figures without faces, etc.). The series is more relevant than ever after Trump instructed NASA “‘to drop everything’ to scrub public sites of mentioning of DEI, indigenous people, environmental justice, and women in leadership” -> https://www.404media.co/nasa-dei-drop-everything-executive-order/
[Swaantje Güntzel, Space Heroines / Heroine defending space against villains and space debris, 2022/23, Series]
#art #conceptualart #contemporaryart #kunst #konzeptkunst #zeitgenössischekunst #serie #series #spaceheroine #space #spacedebris #orbitaldebris #heroines #esa #nasa #weltraum #raumfahrt #comic #ai #ki #dalle2 #bias #inklusion #sexism #sexismus #inclusion #superheldin #superheroine #swaantjeguentzel #swaantjegüntzel #pixelfedart #womensart #womenartists #spacetravel
SPACE HEROINES (How to kick ass in space or The bias of AI)
7/13
Series of female super heroines who maintain law and order in the universe and fight against space debris. The work is conceived as a commentary on male-dominated space travel and of male-determined self-conceptions of space conquest. It was created in the context of an artist residency at European Space Agency (ESA/ESOC) in Darmstadt that Güntzel held in 2022. The works were generated using the open source DALL.E 2 AI from descriptions in natural language. Since then, Güntzel has continued to further develop the work, which simultaneously questions the biased practice of AI in which “heroines” are standardized as white, young, slender, mostly blond, scantily clad, over-sexualized women. More inclusive and diverse images emerged only when prompts explicitly contradicted these norms. Even then, the AI often failed to produce a more inclusive image or the results are so impaired that they are unusable (images that lacked colour, figures without faces, etc.). The series is more relevant than ever after Trump instructed NASA “‘to drop everything’ to scrub public sites of mentioning of DEI, indigenous people, environmental justice, and women in leadership” -> https://www.404media.co/nasa-dei-drop-everything-executive-order/
[Swaantje Güntzel, Space Heroines / handicapped heroine with dark hair fighting villains and orbital debris, comic style, 2022/23, Series]
#art #conceptualart #contemporaryart #kunst #konzeptkunst #zeitgenössischekunst #serie #series #spaceheroine #space #spacedebris #orbitaldebris #heroines #esa #nasa #weltraum #raumfahrt #comic #ai #ki #dalle2 #bias #inklusion #sexism #sexismus #inclusion #superheldin #superheroine #swaantjeguentzel #swaantjegüntzel #pixelfedart #womensart #womenartists #spacetravel #wheelchair
7/13
Series of female super heroines who maintain law and order in the universe and fight against space debris. The work is conceived as a commentary on male-dominated space travel and of male-determined self-conceptions of space conquest. It was created in the context of an artist residency at European Space Agency (ESA/ESOC) in Darmstadt that Güntzel held in 2022. The works were generated using the open source DALL.E 2 AI from descriptions in natural language. Since then, Güntzel has continued to further develop the work, which simultaneously questions the biased practice of AI in which “heroines” are standardized as white, young, slender, mostly blond, scantily clad, over-sexualized women. More inclusive and diverse images emerged only when prompts explicitly contradicted these norms. Even then, the AI often failed to produce a more inclusive image or the results are so impaired that they are unusable (images that lacked colour, figures without faces, etc.). The series is more relevant than ever after Trump instructed NASA “‘to drop everything’ to scrub public sites of mentioning of DEI, indigenous people, environmental justice, and women in leadership” -> https://www.404media.co/nasa-dei-drop-everything-executive-order/
[Swaantje Güntzel, Space Heroines / handicapped heroine with dark hair fighting villains and orbital debris, comic style, 2022/23, Series]
#art #conceptualart #contemporaryart #kunst #konzeptkunst #zeitgenössischekunst #serie #series #spaceheroine #space #spacedebris #orbitaldebris #heroines #esa #nasa #weltraum #raumfahrt #comic #ai #ki #dalle2 #bias #inklusion #sexism #sexismus #inclusion #superheldin #superheroine #swaantjeguentzel #swaantjegüntzel #pixelfedart #womensart #womenartists #spacetravel #wheelchair
SPACE HEROINES (How to kick ass in space or The bias of AI)
6/13
Series of female super heroines who maintain law and order in the universe and fight against space debris. The work is conceived as a commentary on male-dominated space travel and of male-determined self-conceptions of space conquest. It was created in the context of an artist residency at European Space Agency (ESA/ESOC) in Darmstadt that Güntzel held in 2022. The works were generated using the open source DALL.E 2 AI from descriptions in natural language. Since then, Güntzel has continued to further develop the work, which simultaneously questions the biased practice of AI in which “heroines” are standardized as white, young, slender, mostly blond, scantily clad, over-sexualized women. More inclusive and diverse images emerged only when prompts explicitly contradicted these norms. Even then, the AI often failed to produce a more inclusive image or the results are so impaired that they are unusable (images that lacked colour, figures without faces, etc.). The series is more relevant than ever after Trump instructed NASA “‘to drop everything’ to scrub public sites of mentioning of DEI, indigenous people, environmental justice, and women in leadership” -> https://www.404media.co/nasa-dei-drop-everything-executive-order/
[Swaantje Güntzel, Space Heroines / heroine with grey hair wearing a turtle neck fighting orbital debris, satellites in the back comic style, 2022/23, Series]
#art #conceptualart #contemporaryart #kunst #konzeptkunst #zeitgenössischekunst #serie #series #spaceheroine #space #spacedebris #orbitaldebris #heroines #esa #nasa #weltraum #raumfahrt #comic #ai #ki #dalle2 #bias #inklusion #sexism #sexismus #inclusion #superheldin #superheroine #swaantjeguentzel #swaantjegüntzel #pixelfedart #womensart #womenartists #spacetravel
6/13
Series of female super heroines who maintain law and order in the universe and fight against space debris. The work is conceived as a commentary on male-dominated space travel and of male-determined self-conceptions of space conquest. It was created in the context of an artist residency at European Space Agency (ESA/ESOC) in Darmstadt that Güntzel held in 2022. The works were generated using the open source DALL.E 2 AI from descriptions in natural language. Since then, Güntzel has continued to further develop the work, which simultaneously questions the biased practice of AI in which “heroines” are standardized as white, young, slender, mostly blond, scantily clad, over-sexualized women. More inclusive and diverse images emerged only when prompts explicitly contradicted these norms. Even then, the AI often failed to produce a more inclusive image or the results are so impaired that they are unusable (images that lacked colour, figures without faces, etc.). The series is more relevant than ever after Trump instructed NASA “‘to drop everything’ to scrub public sites of mentioning of DEI, indigenous people, environmental justice, and women in leadership” -> https://www.404media.co/nasa-dei-drop-everything-executive-order/
[Swaantje Güntzel, Space Heroines / heroine with grey hair wearing a turtle neck fighting orbital debris, satellites in the back comic style, 2022/23, Series]
#art #conceptualart #contemporaryart #kunst #konzeptkunst #zeitgenössischekunst #serie #series #spaceheroine #space #spacedebris #orbitaldebris #heroines #esa #nasa #weltraum #raumfahrt #comic #ai #ki #dalle2 #bias #inklusion #sexism #sexismus #inclusion #superheldin #superheroine #swaantjeguentzel #swaantjegüntzel #pixelfedart #womensart #womenartists #spacetravel
SPACE HEROINES (How to kick ass in space or The bias of AI)
5/13
Series of female super heroines who maintain law and order in the universe and fight against space debris. The work is conceived as a commentary on male-dominated space travel and of male-determined self-conceptions of space conquest. It was created in the context of an artist residency at European Space Agency (ESA/ESOC) in Darmstadt that Güntzel held in 2022. The works were generated using the open source DALL.E 2 AI from descriptions in natural language. Since then, Güntzel has continued to further develop the work, which simultaneously questions the biased practice of AI in which “heroines” are standardized as white, young, slender, mostly blond, scantily clad, over-sexualized women. More inclusive and diverse images emerged only when prompts explicitly contradicted these norms. Even then, the AI often failed to produce a more inclusive image or the results are so impaired that they are unusable (images that lacked colour, figures without faces, etc.). The series is more relevant than ever after Trump instructed NASA “‘to drop everything’ to scrub public sites of mentioning of DEI, indigenous people, environmental justice, and women in leadership” -> https://www.404media.co/nasa-dei-drop-everything-executive-order/
[Swaantje Güntzel, Space Heroines / plus size heroine with short dark hair wearing a turtle neck fighting orbital debris comic style, 2022/23, Series]
#art #conceptualart #contemporaryart #kunst #konzeptkunst #zeitgenössischekunst #serie #series #spaceheroine #space #spacedebris #orbitaldebris #heroines #esa #nasa #weltraum #raumfahrt #comic #ai #ki #dalle2 #bias #inklusion #sexism #sexismus #inclusion #superheldin #superheroine #swaantjeguentzel #swaantjegüntzel #pixelfedart #womensart #womenartists #spacetravel
5/13
Series of female super heroines who maintain law and order in the universe and fight against space debris. The work is conceived as a commentary on male-dominated space travel and of male-determined self-conceptions of space conquest. It was created in the context of an artist residency at European Space Agency (ESA/ESOC) in Darmstadt that Güntzel held in 2022. The works were generated using the open source DALL.E 2 AI from descriptions in natural language. Since then, Güntzel has continued to further develop the work, which simultaneously questions the biased practice of AI in which “heroines” are standardized as white, young, slender, mostly blond, scantily clad, over-sexualized women. More inclusive and diverse images emerged only when prompts explicitly contradicted these norms. Even then, the AI often failed to produce a more inclusive image or the results are so impaired that they are unusable (images that lacked colour, figures without faces, etc.). The series is more relevant than ever after Trump instructed NASA “‘to drop everything’ to scrub public sites of mentioning of DEI, indigenous people, environmental justice, and women in leadership” -> https://www.404media.co/nasa-dei-drop-everything-executive-order/
[Swaantje Güntzel, Space Heroines / plus size heroine with short dark hair wearing a turtle neck fighting orbital debris comic style, 2022/23, Series]
#art #conceptualart #contemporaryart #kunst #konzeptkunst #zeitgenössischekunst #serie #series #spaceheroine #space #spacedebris #orbitaldebris #heroines #esa #nasa #weltraum #raumfahrt #comic #ai #ki #dalle2 #bias #inklusion #sexism #sexismus #inclusion #superheldin #superheroine #swaantjeguentzel #swaantjegüntzel #pixelfedart #womensart #womenartists #spacetravel
SPACE HEROINES (How to kick ass in space or The bias of AI)
3/13
Series of female super heroines who maintain law and order in the universe and fight against space debris. The work is conceived as a commentary on male-dominated space travel and of male-determined self-conceptions of space conquest. It was created in the context of an artist residency at European Space Agency (ESA/ESOC) in Darmstadt that Güntzel held in 2022. The works were generated using the open source DALL.E 2 AI from descriptions in natural language. Since then, Güntzel has continued to further develop the work, which simultaneously questions the biased practice of AI in which “heroines” are standardized as white, young, slender, mostly blond, scantily clad, over-sexualized women. More inclusive and diverse images emerged only when prompts explicitly contradicted these norms. Even then, the AI often failed to produce a more inclusive image or the results are so impaired that they are unusable (images that lacked colour, figures without faces, etc.). The series is more relevant than ever after Trump instructed NASA “‘to drop everything’ to scrub public sites of mentioning of DEI, indigenous people, environmental justice, and women in leadership” -> https://www.404media.co/nasa-dei-drop-everything-executive-order/
[Swaantje Güntzel, Space Heroines / black space heroine fighting debris comic style, 2022/23, Series]
#art #conceptualart #contemporaryart #kunst #konzeptkunst #zeitgenössischekunst #serie #series #spaceheroine #space #spacedebris #orbitaldebris #heroines #esa #nasa #weltraum #raumfahrt #comic #ai #ki #dalle2 #bias #inklusion #sexism #sexismus #inclusion #superheldin #superheroine #swaantjeguentzel #swaantjegüntzel #pixelfedart #womensart #womenartists #spacetravel
3/13
Series of female super heroines who maintain law and order in the universe and fight against space debris. The work is conceived as a commentary on male-dominated space travel and of male-determined self-conceptions of space conquest. It was created in the context of an artist residency at European Space Agency (ESA/ESOC) in Darmstadt that Güntzel held in 2022. The works were generated using the open source DALL.E 2 AI from descriptions in natural language. Since then, Güntzel has continued to further develop the work, which simultaneously questions the biased practice of AI in which “heroines” are standardized as white, young, slender, mostly blond, scantily clad, over-sexualized women. More inclusive and diverse images emerged only when prompts explicitly contradicted these norms. Even then, the AI often failed to produce a more inclusive image or the results are so impaired that they are unusable (images that lacked colour, figures without faces, etc.). The series is more relevant than ever after Trump instructed NASA “‘to drop everything’ to scrub public sites of mentioning of DEI, indigenous people, environmental justice, and women in leadership” -> https://www.404media.co/nasa-dei-drop-everything-executive-order/
[Swaantje Güntzel, Space Heroines / black space heroine fighting debris comic style, 2022/23, Series]
#art #conceptualart #contemporaryart #kunst #konzeptkunst #zeitgenössischekunst #serie #series #spaceheroine #space #spacedebris #orbitaldebris #heroines #esa #nasa #weltraum #raumfahrt #comic #ai #ki #dalle2 #bias #inklusion #sexism #sexismus #inclusion #superheldin #superheroine #swaantjeguentzel #swaantjegüntzel #pixelfedart #womensart #womenartists #spacetravel
SPACE HEROINES (How to kick ass in space or The bias of AI)
2/13
Series of female super heroines who maintain law and order in the universe and fight against space debris. The work is conceived as a commentary on male-dominated space travel and of male-determined self-conceptions of space conquest. It was created in the context of an artist residency at European Space Agency (ESA/ESOC) in Darmstadt that Güntzel held in 2022. The works were generated using the open source DALL.E 2 AI from descriptions in natural language. Since then, Güntzel has continued to further develop the work, which simultaneously questions the biased practice of AI in which “heroines” are standardized as white, young, slender, mostly blond, scantily clad, over-sexualized women. More inclusive and diverse images emerged only when prompts explicitly contradicted these norms. Even then, the AI often failed to produce a more inclusive image or the results are so impaired that they are unusable (images that lacked colour, figures without faces, etc.). The series is more relevant than ever after Trump instructed NASA “‘to drop everything’ to scrub public sites of mentioning of DEI, indigenous people, environmental justice, and women in leadership” -> https://www.404media.co/nasa-dei-drop-everything-executive-order/
[Swaantje Güntzel, Space Heroines / asian looking plus size heroine wearing a turtle neck fighting villains and orbital debris satellites in the back comic style , 2022/23, Series]
#art #conceptualart #contemporaryart #kunst #konzeptkunst #zeitgenössischekunst #serie #series #spaceheroine #space #spacedebris #orbitaldebris #heroines #esa #nasa #weltraum #raumfahrt #comic #ai #ki #dalle2 #bias #inklusion #sexism #sexismus #inclusion #superheldin #superheroine #swaantjeguentzel #swaantjegüntzel #pixelfedart #womensart #womenartists #spacetravel
2/13
Series of female super heroines who maintain law and order in the universe and fight against space debris. The work is conceived as a commentary on male-dominated space travel and of male-determined self-conceptions of space conquest. It was created in the context of an artist residency at European Space Agency (ESA/ESOC) in Darmstadt that Güntzel held in 2022. The works were generated using the open source DALL.E 2 AI from descriptions in natural language. Since then, Güntzel has continued to further develop the work, which simultaneously questions the biased practice of AI in which “heroines” are standardized as white, young, slender, mostly blond, scantily clad, over-sexualized women. More inclusive and diverse images emerged only when prompts explicitly contradicted these norms. Even then, the AI often failed to produce a more inclusive image or the results are so impaired that they are unusable (images that lacked colour, figures without faces, etc.). The series is more relevant than ever after Trump instructed NASA “‘to drop everything’ to scrub public sites of mentioning of DEI, indigenous people, environmental justice, and women in leadership” -> https://www.404media.co/nasa-dei-drop-everything-executive-order/
[Swaantje Güntzel, Space Heroines / asian looking plus size heroine wearing a turtle neck fighting villains and orbital debris satellites in the back comic style , 2022/23, Series]
#art #conceptualart #contemporaryart #kunst #konzeptkunst #zeitgenössischekunst #serie #series #spaceheroine #space #spacedebris #orbitaldebris #heroines #esa #nasa #weltraum #raumfahrt #comic #ai #ki #dalle2 #bias #inklusion #sexism #sexismus #inclusion #superheldin #superheroine #swaantjeguentzel #swaantjegüntzel #pixelfedart #womensart #womenartists #spacetravel
#DLR:
"
Europäischer Satellit ist der Biomasse unserer Wälder auf der Spur
"
"Am 29. April 2025 soll die ESA-Mission Biomass starten
.. eine präzise Bestimmung der Biomasse unserer Wälder ermöglichen.
Deutschland ist mit über 20 Prozent an der Mission beteiligt und stellt das Hauptinstrument. .."
24.4.2025
www.dlr.deMission Biomass – Das „Lungenvolumen“ unserer Erde vom Weltraum aus bestimmenWälder bedecken mit 40,6 Millionen Quadratkilometern knapp ein Drittel der eisfreien Landfläche unserer Erde. Sie versorgen die Atmosphäre mit frischem Sauerstoff und werden daher auch die „grüne Lunge“ unseres Planeten genannt. Wie gesund ist dieses überlebenswichtige „Organ“ unserer Erde? Kann es uns weiterhin ausreichend mit frischer Luft versorgen, so dass das Ökosystem Erde funktionsfähig bleibt? Um diese Fragen zu beantworten, muss vor allem bestimmt werden, wie groß das „Lungenvolumen“ unserer Wälder ist. Diese Aufgabe wird die Mission Biomass übernehmen, die am 29. April 2025 mit einer Vega-C Rakete vom europäischen Weltraumbahnhof Kourou in Französisch-Guayana starten soll.
Mars probe MRO photographs rover Curiosity in motion
There are various images of the Mars rover Curiosity taken by the MRO probe from orbit. But only now is there one that shows it in motion.
heise online · Mars probe MRO photographs rover Curiosity in motion
Marssonde MRO fotografiert Rover Curiosity in Fahrt
Es gibt diverse Bilder vom Marsrover Curiosity, die die Sonde MRO aus dem Orbit aufgenommen hat. Aber erst jetzt gibt es eines, die ihn in Fahrt zeigt.
heise online · Marssonde MRO fotografiert Rover Curiosity in Fahrt
#Raketen- statt #Schiffbau #fuckSöder will #Sondervermögen aus #Infrastrukturtopf in die #Raumfahrt stecken
#fuckCSU-Chef Söder will die #Bundesrepublik zum Akteur der europäischen #Raumfahrt machen – mit #Finanzspritzen in Zukunftstechnologien. Dass es bisher haperte, sieht er als Verfehlung: der Grünen. #Grüne
kann ihm irgendjemand stecken, daß man im All nicht grillen kann?
DER SPIEGEL · Raketen- statt Schiffbau: Söder will Sondervermögen aus Infrastrukturtopf in die Raumfahrt stecken
Da ich heute frei habe und keine EDDW Flugzeug Fotos gibt, habe ich Samstag unsere Ausstellung aus Gebäude 49 abgelichtet . #raumfahrt #space bei #Astrium bietet das Orion Raumfahrzeug . Und die ISS Raumstsstion am Eingang ( nicht anfassen, nur angucken ) Wer staubt das Teil eigentlich immer „ab“ ?
Wird im #All zu viel geputzt? #Astronauten wischen, desinfizieren und kehren – aber das könnte ihrer Gesundheit schaden. Forschende sagen: Ein bisschen mehr #Mikroben an Bord wären genau das, was das #Immunsystem braucht: Patrick Klapetz: #raumfahrt https://www.riffreporter.de/de/wissen/iss-mikroben-gesundheit-astronauten-bakterien-weltraum
RiffReporter · Zu sauber im All: Warum die ISS mehr Mikroben braucht
#raumfahrt #space #history of my company 15-20 ys ago when #Astrium set new standards. Oh, to be clear the right poster against racism is newer e.g. 5 years . The pics are from building 49 at HB where I was occupied for Columbus ISS module . However social standards have been high for families since 90ies
https://www.europesays.com/de/65615/ Warum Europa (noch) keine wiederverwendbaren Raketen hat #AktuelleNachrichten #AktuelleNews #All #Astronomie #Esa #EU #Europa #EuropäischeUnion #Europe #EuropeanUnion #Headlines #Nachrichten #Nasa #News #Nutzlast #Rakete #Raumfahrt #Schlagzeilen #SpaceX #Themis #Trägerrakete #Weltraum
https://www.europesays.com/de/63672/ Raumfahrt unter Donald Trump: Selbst die Nasa ist nicht mehr sicher #Business #Companies #Companies&Markets #Deutschland #DonaldTrump #Germany #Markets #Märkte #Nasa #Raumfahrt #RaumfahrtUnterDonaldTrump #Unternehmen #Unternehmen&Märkte #USRegierung #USA #Weltraum #Wissen
China wants to launch its lunar probe Chang'e 8 in 2028/29. Remarkable for such a developed national lunar research programme: Its large number of international collaborations, mostly with countries from the global south:
Source: https://spacenews.com/china-selects-international-payloads-for-change-8-lunar-south-pole-mission/
China's first lunar mission Chang'e 1 launched in 2007, with many missions and without any setbacks since then.
Die #NASA-Raumsonde MRO im Orbit um den Mars hat den Rover #Curiosity auf der Marsoberfläche fotografiert. Es ist nicht das erste Mal, dass Curiosity fotografiert wurde, aber das erste Mal, dass Curiosity während der Aufnahme gefahren ist.
Curiosity selber ist auf dem Foto ein winziger schwarzer Kleks, aber die Fahrspuren der letzten Tage sind sehr gut zu erkennen. Es ist sogar erkennbar, dass die Fahrspur aus 2 parallelen Streifen besteht.
Mehr bei der Nasa: https://www.jpl.nasa.gov/news/nasa-orbiter-spots-curiosity-rover-making-tracks-to-next-science-stop/
