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settimaOne more to close up and balance out. A small-town boy's first job in a dreary Milan office culminates in an painfully absurd office <a href="https://zirk.us/tags/Christmas" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#Christmas</a> party. By times foreshadowing Roy Andersson's ennui, Ermanno Olmi's Il posto [The Job] (1961) is the story of Italy's postwar generation coming of age, warts and all.<a href="https://zirk.us/tags/ErmannoOlmi" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#ErmannoOlmi</a> <a href="https://zirk.us/tags/Neorealismo" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#Neorealismo</a> <a href="https://zirk.us/tags/ComingOfAge" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#ComingOfAge</a> <a href="https://zirk.us/tags/cinemastodon" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#cinemastodon</a> <a href="https://zirk.us/tags/film" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#film</a> <a href="https://zirk.us/tags/ChristmasParty" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#ChristmasParty</a> <a href="https://zirk.us/tags/ChristmasMovies" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#ChristmasMovies</a>

Boomerissimo.itDe Sica e Raffella Carrà: non si può insegnare l’amore<a href="https://boomerissimo.it/2023/05/02/raffaella-carra-e-quella-volta-che-de-sica-le-disse-ti-amo/" rel="nofollow noopener noreferrer" translate="no" target="_blank">https://boomerissimo.it/2023/05/02/raffaella-carra-e-quella-volta-che-de-sica-le-disse-ti-amo/</a><a href="https://mastodon.uno/tags/boomerissimo" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#boomerissimo</a> <a href="https://mastodon.uno/tags/raffaellacarr%C3%A0" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#raffaellacarrà</a> <a href="https://mastodon.uno/tags/vittoriodesica" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#vittoriodesica</a> <a href="https://mastodon.uno/tags/neorealismo" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#neorealismo</a> <a href="https://mastodon.uno/tags/canzonissima" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#canzonissima</a>.

tinderness🎥 <a href="https://swiss.social/tags/film" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#film</a> Wer den Kanon der Filmgeschichte abarbeien will: auf <a href="https://swiss.social/tags/arte" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#arte</a> wird eine restaurierte Fassung von <a href="https://swiss.social/tags/RomOffeneStadt" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#RomOffeneStadt</a> (1945) von <a href="https://swiss.social/tags/RobertoRosselini" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#RobertoRosselini</a> gestreamt."Rossellini hatte das Drehbuch noch während der deutschen Besatzung geschrieben. Unmittelbar nach der Befreiung auf den Straßen Roms gedreht, atmet der dokumentarisch wirkende Film Authentizität und weist somit jene Nähe zur sozialen und historischen Wirklichkeit auf, die zum Merkmal des <a href="https://swiss.social/tags/Neorealismo" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#Neorealismo</a> wurde."🌀 <a href="https://www.arte.tv/de/videos/004899-000-A/rom-offene-stadt/" rel="nofollow noopener noreferrer" translate="no" target="_blank">https://www.arte.tv/de/videos/004899-000-A/rom-offene-stadt/</a>

settima<a href="https://social.horrorhub.club/tags/Bales2023FilmChallenge" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#Bales2023FilmChallenge</a> December 30: discussing an elaborate plan on <a href="https://social.horrorhub.club/tags/NationalResolutionPlanningDay" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#NationalResolutionPlanningDay</a>Destitute phaeton driver Cabbar (<a href="https://social.horrorhub.club/tags/Y%C4%B1lmazG%C3%BCney" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#YılmazGüney</a>) his friend Hasan (<a href="https://social.horrorhub.club/tags/TuncelKurtiz" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#TuncelKurtiz</a>) and imam Hodja (<a href="https://social.horrorhub.club/tags/OsmanAlyanak" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#OsmanAlyanak</a>) have a wondrous plan to go out into the Kurdish wastelands to dig up an illusive treasure that may be Cabbar's only escape. Yılmaz Güney and <a href="https://social.horrorhub.club/tags/%C5%9EerifG%C3%B6ren" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#ŞerifGören</a>'s Umut [Hope] (1970) is <a href="https://social.horrorhub.club/tags/Turkey" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#Turkey</a>'s early venture into <a href="https://social.horrorhub.club/tags/Neorealismo" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#Neorealismo</a> ☞ <a href="https://write.underworld.fr/settima/umut-1970" rel="nofollow noopener noreferrer" translate="no" target="_blank">https://write.underworld.fr/settima/umut-1970</a><a href="https://social.horrorhub.club/tags/film" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#film</a> <a href="https://social.horrorhub.club/tags/cinema" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#cinema</a> <a href="https://social.horrorhub.club/tags/CineMastodon" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#CineMastodon</a> <a href="https://a.gup.pe/u/film" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@film</a>

Boomerissimo.itDe Sica e Raffella Carrà: non si può insegnare l’amore<a href="https://mastodon.uno/tags/boomerissimo" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#boomerissimo</a> <a href="https://mastodon.uno/tags/raffaellacarr%C3%A0" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#raffaellacarrà</a> <a href="https://mastodon.uno/tags/vittoriodesica" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#vittoriodesica</a> <a href="https://mastodon.uno/tags/neorealismo" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#neorealismo</a> <a href="https://mastodon.uno/tags/canzonissima" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#canzonissima</a><a href="https://boomerissimo.it/2023/05/02/raffaella-carra-e-quella-volta-che-de-sica-le-disse-ti-amo/" rel="nofollow noopener noreferrer" translate="no" target="_blank">https://boomerissimo.it/2023/05/02/raffaella-carra-e-quella-volta-che-de-sica-le-disse-ti-amo/</a>

Carmilla On Line - Rss BotUn neo-neorealismo è possibile <a href="https://www.carmillaonline.com/2023/05/14/un-neo-neorealismo-e-possibile/" rel="nofollow noopener noreferrer" target="_blank">https://www.carmillaonline.com/2023/05/14/un-neo-neorealismo-e-possibile/</a> <a href="https://mastodon.bida.im/tags/GiorgioCastriotaSkanderbeg" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#GiorgioCastriotaSkanderbeg</a> <a href="https://mastodon.bida.im/tags/FratelliD" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#FratelliD</a>'Innocenzo <a href="https://mastodon.bida.im/tags/PierPaoloPasolini" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#PierPaoloPasolini</a> <a href="https://mastodon.bida.im/tags/EmanueleCrialese" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#EmanueleCrialese</a> <a href="https://mastodon.bida.im/tags/ClaudioCaligari" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#ClaudioCaligari</a> <a href="https://mastodon.bida.im/tags/GiuseppeCiulla" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#GiuseppeCiulla</a> <a href="https://mastodon.bida.im/tags/GustaveCourbet" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#GustaveCourbet</a> <a href="https://mastodon.bida.im/tags/BeppeFenoglio" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#BeppeFenoglio</a> <a href="https://mastodon.bida.im/tags/IgnazioSilone" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#IgnazioSilone</a> <a href="https://mastodon.bida.im/tags/MatteoGarrone" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#MatteoGarrone</a> <a href="https://mastodon.bida.im/tags/CesarePavese" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#CesarePavese</a> <a href="https://mastodon.bida.im/tags/PabloPicasso" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#PabloPicasso</a> <a href="https://mastodon.bida.im/tags/FabioRocchi" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#FabioRocchi</a> <a href="https://mastodon.bida.im/tags/neorealismo" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#neorealismo</a> <a href="https://mastodon.bida.im/tags/Recensioni" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#Recensioni</a> <a href="https://mastodon.bida.im/tags/WalterSiti" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#WalterSiti</a> <a href="https://mastodon.bida.im/tags/CarloLevi" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#CarloLevi</a> <a href="https://mastodon.bida.im/tags/Albania" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#Albania</a>

12pt9<a href="https://cinematheque.social/tags/Bales2023FilmChallenge" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#Bales2023FilmChallenge</a> April 3: <a href="https://cinematheque.social/tags/Party" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#Party</a> on <a href="https://cinematheque.social/tags/WorldPartyDay" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#WorldPartyDay</a>To support his family, small-town boy Domenico moves to <a href="https://cinematheque.social/tags/Milan" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#Milan</a> in the hope to find a <a href="https://cinematheque.social/tags/job" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#job</a>. Eventually he's employed, as a clerk in a drab office replacing a senior worker who died. While the days drag on, only interrupted by coffee shop small talk with fellow <a href="https://cinematheque.social/tags/teenager" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#teenager</a> Antonietta, the <a href="https://cinematheque.social/tags/Christmas" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#Christmas</a> office <a href="https://cinematheque.social/tags/party" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#party</a> draws nearer.With the dark absurdity of coming out of fascism and having to run a real-world country with a naive ineptitude – represented by the too-large-borrowed-from-father-suits – and pretence childlike bureaucratic procedures, Ermanno Olmi's Il posto [The Job] (1961) is a wonderfully sharp observation of <a href="https://cinematheque.social/tags/postwar" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#postwar</a> <a href="https://cinematheque.social/tags/Italy" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#Italy</a>. <a href="https://cinematheque.social/tags/film" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#film</a> <a href="https://cinematheque.social/tags/cinema" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#cinema</a> <a href="https://cinematheque.social/tags/ErmannoOlmi" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#ErmannoOlmi</a> <a href="https://cinematheque.social/tags/Neorealismo" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#Neorealismo</a> <a href="https://cinematheque.social/tags/neorealism" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#neorealism</a> <a href="https://cinematheque.social/tags/ComingOfAge" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#ComingOfAge</a> <a href="https://cinematheque.social/tags/TeenangeAngst" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#TeenangeAngst</a> <a href="https://cinematheque.social/tags/bureaucracy" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#bureaucracy</a> <a href="https://cinematheque.social/tags/FilMastodon" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#FilMastodon</a> <a href="https://cinematheque.social/tags/CineMastodon" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#CineMastodon</a> <a href="https://a.gup.pe/u/film" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@film</a> <a href="https://letterboxd.com/12pt9/list/bales2023filmchallenge/" rel="nofollow noopener noreferrer" target="_blank">https://letterboxd.com/12pt9/list/bales2023filmchallenge/</a>

settimaIl posto (1961)<a href="https://write.underworld.fr/settima/il-posto-1961" rel="nofollow noopener noreferrer" target="_blank">https://write.underworld.fr/settima/il-posto-1961</a>

Carmilla On Line - Rss BotQuel brutto pasticcio della guerra (e della prigionia) <a href="https://www.carmillaonline.com/2023/02/01/quel-brutto-pasticcio-della-guerra-e-della-prigionia/" rel="nofollow noopener noreferrer" target="_blank">https://www.carmillaonline.com/2023/02/01/quel-brutto-pasticcio-della-guerra-e-della-prigionia/</a> <a href="https://mastodon.bida.im/tags/QuerpasticciacciobruttodiviaMerulana" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#QuerpasticciacciobruttodiviaMerulana</a> <a href="https://mastodon.bida.im/tags/primaguerramondiale" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#primaguerramondiale</a> <a href="https://mastodon.bida.im/tags/PierPaoloPasolini" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#PierPaoloPasolini</a> <a href="https://mastodon.bida.im/tags/CarloEmilioGadda" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#CarloEmilioGadda</a> <a href="https://mastodon.bida.im/tags/AntonioGibelli" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#AntonioGibelli</a> <a href="https://mastodon.bida.im/tags/ItaloCalvino" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#ItaloCalvino</a> <a href="https://mastodon.bida.im/tags/PaolaTonussi" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#PaolaTonussi</a> <a href="https://mastodon.bida.im/tags/avanguardie" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#avanguardie</a> <a href="https://mastodon.bida.im/tags/neorealismo" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#neorealismo</a> <a href="https://mastodon.bida.im/tags/PaolaItalia" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#PaolaItalia</a> <a href="https://mastodon.bida.im/tags/PaulFussell" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#PaulFussell</a> <a href="https://mastodon.bida.im/tags/Recensioni" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#Recensioni</a> <a href="https://mastodon.bida.im/tags/EricJ" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#EricJ</a>.Leed <a href="https://mastodon.bida.im/tags/Rabelais" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#Rabelais</a>

Il mago di OzMimesi e straniamento (sulla scrittura)Complessità dell'argomento e definizione di straniamentoLe cose sono complesse. L'argomento non è facile, anzi è cavilloso. Cercherò di argomentare senza perdere il filo, sperando di non finire in un vicolo senza uscita. Per straniamento<a href="https://www.magozine.it/mimesi-e-straniamento-sulla-scrittura/" rel="nofollow noopener noreferrer" target="_blank">https://www.magozine.it/mimesi-e-straniamento-sulla-scrittura/</a><a href="https://mastodon.uno/tags/ArteeCultura" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#ArteeCultura</a> <a href="https://mastodon.uno/tags/Anarchico" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#Anarchico</a> <a href="https://mastodon.uno/tags/Artistaanarchico" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#Artistaanarchico</a> <a href="https://mastodon.uno/tags/Comunit%C3%A0poetica" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#Comunitàpoetica</a> <a href="https://mastodon.uno/tags/Mimesi" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#Mimesi</a> <a href="https://mastodon.uno/tags/Neorealismo" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#Neorealismo</a> <a href="https://mastodon.uno/tags/Nientecisorprende" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#Nientecisorprende</a> <a href="https://mastodon.uno/tags/platone" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#platone</a> <a href="https://mastodon.uno/tags/Poeticadellochoc" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#Poeticadellochoc</a> <a href="https://mastodon.uno/tags/Straniamento" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#Straniamento</a>

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