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#koreeda

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Kore-Eda's Shoplifters is one of my favorite movies, so I had high expectations for Asura. But at first I felt disappointed: it seemed quite banal; but I did keep watching. Luckily I did, because I was very wrong: there's so much in here about what it means to be human, to live, to love, to suffer and to care for people around you. Beautiful.

letterboxd.com/film/asura-2025

letterboxd.comAsura (2025)In 1979 Tokyo, four distinct sisters uncover their aging father's affair, causing their happy facades and bottled-up emotions to slowly unravel.

MONSTER de Kore-Eda: alors au début j'étais un peu perdue notamment sur ce qui était la norme pr une réunion parents profs au Japon et je me demandais ce que je devais voir/comprendre, puis la multiplication des points de vue fait qu'on doit être super attentif, MAIS je trouve quai final il y avait de beaux moments, ce ne sera pas mon film préféré de lui, mais ça reste un film assez touchant! Le personnage du professeur était intrigant, notamment, avec son sourire qui revenait à des moments wtf #FilmMastodon #films #KoreEda #monster #filmastodon #movies #moviereview

"If only some people can have it, that's not happiness"

Kore-eda 2023 Monster is finally streaming (prime) and it employs roshomon style to hand-hold us out of our mistakes and misapprehensions.

Between Monster & Anatomy of a fall, what a year for films that ask us to think where our opinions, and more importantly judgements come from

All the while doing it within a genre and fictional world of a character.

@mario thanks for the translation of the title of Maborosi! I saw it for the first time last night. I find his later films much more obvious and approachable. Maborosi and Distance were both a little too subtle for me. I wonder if it's the films or something about the cultural or literal translation.

Both were featured prominently in this video essay, kogonada.com/portfolio/the-wor and I thought the themes raised by #Kogonada in that video were not the ones you'd pick from the later career of #KoreEda. So yes, I'll have to rewatch them both with a different perspective in mind.

kogonadaThe World According to Koreeda Hirokazucinema is not a thing; it's a way.

I've seen many Kore-eda films, but until tonight never watched his debut Maborosi (幻の光, maboroshi no hikari, illusion of light, or trick of the light - the relevance of the title only becomes apparent right at the end of the film) .
It's utterly sad and utterly beautiful, and some of the scenes are both so understated but also so incredibly powerful that you'll remember them for a long time.
#maborosi #幻の光 #KoreEda #是枝裕和

I've never seen Kore-eda's After Life (in Japanese ワンダフルライフ, Wonderful Life, surely no coincidence), so I put that right tonight. It's strange but very beautiful, and not without a lot of humour, especially around the very low-tech filming of the dead people's chosen memories.

It packs in quite a lot - the role of memory, the function of cinema and the limits of our imagination, without ever feeling didactic or dry. And it's pretty unsentimental given the subject matter, although there are scenes where you may shed a tear or two.