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#GlennFord

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Janne Fantastic

Just watched "The Undercover Man" so I guess my #Noirvember is officially on?

It hits the spot but I wish it hit harder.

letterboxd.com/jannefantastic/

letterboxd.comA ★★★½ review of The Undercover Man (1949)I've seen about 10 films with Glenn Ford and at least half of them have been film noirs. I REALLY like the man. But... I will never see him as a hardboiled film noir male lead, no matter how much he frowns. Sure, I think I could take Humphrey Bogart in a fight so it is not about being menacing or anything, I just look at Glenn Ford and think; "I could talk him out of a fight". And that is a difference. Ford is GOOD in the part though so this is just me doing an unnecessary "what if..?".
#FilmNoir#cinemastodon#FilmMastodon
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Alt Film Guide

(1938–2023)

at her peak in the 1960s, when, looking like a spicier , she was featured opposite in GIRLS! GIRLS! GIRLS! (1962), in (1963), and in PAPA'S DELICATE CONDITION (1964).

She's best remembered, however, for falling to her death in 's (1972).

And for giving a rock-hard slap in that same .

#movies#cinema#film
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d4doome

The Man from the Alamo is a 1953 Budd Boetticher western with Glenn Ford as a man with a reputation for cowardice hanging over his head, a reputation he feels (with some justification) is undeserved.

An intelligent grown-up western and an exciting action-packed movie with fine large-scale action sequences.

My review: dfordoom-movieramblings.blogsp

#classicmovies#classicmovie#1950smovie
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Alt Film Guide

(1925–2023)

The Seattle-born (who spent time in an American concentration camp with her parents), is best known for her first , 's 1957 -nominated hit , in which she plays US Air Force Major 's Japanese romantic interest.

Other credits include: CRY FOR HAPPY (1961), with ; and small supporting roles in WALK, DON'T RUN (1966), with , and in the TV miniseries (1980).

#film#movies
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