Richard Jones<p>A propos de rien. Here’s the <a href="https://mstdn.social/tags/SeventeenthCentury" class="mention hashtag" rel="tag">#<span>SeventeenthCentury</span></a> <a href="https://mstdn.social/tags/EighteenthCentury" class="mention hashtag" rel="tag">#<span>EighteenthCentury</span></a> <a href="https://mstdn.social/tags/dovecote" class="mention hashtag" rel="tag">#<span>dovecote</span></a> inserted into the first-stage chamber of the <a href="https://mstdn.social/tags/FifteenthCentury" class="mention hashtag" rel="tag">#<span>FifteenthCentury</span></a> tower of my <a href="https://mstdn.social/tags/Village" class="mention hashtag" rel="tag">#<span>Village</span></a> <a href="https://mstdn.social/tags/Church" class="mention hashtag" rel="tag">#<span>Church</span></a>. I visited it for the first time last night. It’s lovely. The chamber, with fireplace, may have been part of the benefice of the <a href="https://mstdn.social/tags/Medieval" class="mention hashtag" rel="tag">#<span>Medieval</span></a> chantry <a href="https://mstdn.social/tags/priest" class="mention hashtag" rel="tag">#<span>priest</span></a>. <a href="https://mstdn.social/tags/Birds" class="mention hashtag" rel="tag">#<span>Birds</span></a></p>