mgray<p>Theodora Goes Wild (1936) - 2/4 - A snapshot of the media&#39;s relationship with art (here, the novel). While <a href="https://mstdn.social/tags/IreneDunne" class="mention hashtag" rel="tag">#<span>IreneDunne</span></a> brings plenty of comedy to the picture, <a href="https://mstdn.social/tags/MelvynDouglas" class="mention hashtag" rel="tag">#<span>MelvynDouglas</span></a> comes across as a lesser <a href="https://mstdn.social/tags/WilliamPowell" class="mention hashtag" rel="tag">#<span>WilliamPowell</span></a>. The story is good enough, but something in its execution feels flat. Near the film&#39;s end, there is an example of <a href="https://mstdn.social/tags/DialecticalMontage" class="mention hashtag" rel="tag">#<span>DialecticalMontage</span></a> juxtaposing the women&#39;s literary club members with <a href="https://mstdn.social/tags/cats" class="mention hashtag" rel="tag">#<span>cats</span></a>. <a href="https://mstdn.social/tags/Cinema" class="mention hashtag" rel="tag">#<span>Cinema</span></a> of Cats has a good write-up of the felines in the film. <a href="https://cinemacats.com/theodora-goes-wild-1936/" target="_blank" rel="nofollow noopener" translate="no"><span class="invisible">https://</span><span class="ellipsis">cinemacats.com/theodora-goes-w</span><span class="invisible">ild-1936/</span></a></p>